Leonor Fini, Le Bout Du Monde (Ends of the Earth), 1948, oil on canvas, 35 × 25 cm, private collection
© VG Bild-Kunst, Bonn 2026, Photo: Galerie Minsky, Paris

Autumn-Highlight at the SCHIRN: Leonor Fini. Magically Surreal

07/29/2026

3 min reading time

Leonor Fini
Portrait of a woman with curly hair, elegant brown top, and a misty background. She is wearing a white glove.

Save the date: this autumn, Leonor Fini will be bringing a touch of magical surrealism to the SCHIRN. From 23 October, the first major retrospective in Germany will be presenting the artist’s fascinating body of work, which straddles the worlds of dreams and myth, masks and costumes.

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In the autumn of 2026, the SCHIRN will be presenting Germany’s first major retrospective on Leonor Fini (1907–1996). Around 100 works, including paintings, drawings, photographs, costumes, masks, and books, offer comprehensive insight into the artist’s fascinating oeuvre. Shaped by the Renaissance, Symbolism, German Romanticism, and Magical Realism, she developed a unique pictorial language embracing dream, myth, fantasy, and stagelike presentations.

Leonor Fini ranks among the most fascinating and singular artistic personalities of the twentieth century. Born in Buenos Aires, raised in Trieste, she was an autodidact and always maintained her independence, in spite of her proximity to Surrealism. Fini developed a unique pictorial language and style derived from the old masters, creating dreamlike scenes with priestesses, sphinxes, and hybrid figures that reverse the classic gender roles. She painted powerful representations of strong women and androgynous figures, often as new interpretations of historical models. Emancipation, gender fluidity, eros, occultism, death, and transformation pervade her works, as does her playful treatment of masks, costumes, and role models. A central theme in Fini’s oeuvre is the study of her role as a woman and an artist. From the beginning, Fini presented herself confidently as a libertarian and a glamorous icon deliberately blurring the boundaries between artistic creation and lived existence. The exhibition shows Fini’s long and fascinating art career with works from some seventy years of artistic activity.

Portrait of a woman with curly hair, elegant brown top, and a misty background. She is wearing a white glove.
Leonor Fini, Self-Portrait with Scorpion, 1938, oil on canvas, 81 x 60 cm
Private Collection, courtesy of HomeArt © VG Bild-Kunst, Bonn 2026, photo: Galerie Minsky, Paris

“With her multifaceted and deeply original body of work, Leonor Fini left a lasting mark on the history of European art.”

Sebastian Baden, Director of the SCHIRN

The painting depicts a mysterious woman in a black dress and a naked man in a red cloak within an architectural setting.
Leonor Fini, Dans la tour (self-portrait with Constantin Jalenski), 1952, oil on canvas, 90,8 x 64,8 cm
© VG Bild-Kunst, Bonn 2026, FAMM (Femmes Artistes du Musée de Mougins) / The Levett Collection
Two women in colorful garments sit opposite each other, connected by a thin string, in a minimalist space.
Leonor Fini, Les Fileuses, 1954, oil on canvas, 65 x 121 cm
Private Collection © VG Bild-Kunst, Bonn 2026, photo: Galerie Minsky, Paris
Surreal image with cats and human figures in soft colors, arranged floating on a shelf.
Leonor Fini, Dimanche aprés-midi, 1980, oil on canvas, 129,5 x 97,2 cm
Warren H. Lortie Collection, Newport Beach © VG Bild-Kunst, Bonn 2026, Weinstein Gallery

Earlybird Ticket

Starting now, the SCHIRN is offering early-bird tickets for the exhibition. The limited offering for €10 (instead of €15) is available online at schirn.de/shop or at the SCHIRN admissions desk. The ticket is valid for both exhibitions on view at the SCHIRN in the autumn of 2026: “Leonor Fini: Magically Surreal” and “Anna Hulačová: Abundantia” (October 1, 2026 – January 10, 2027).