As a contemporary art form, performance has developed in recent years more radically than almost all other artistic forms of expression. It crosses the boundaries between genres, combines dance, music, and theater, and permits a direct and immediate encounter with its environment—with visitors as well as with spaces. Architecture and spaces are usually perceived in terms of doors, staircases, rooms, windows, perspectives, prospects, and insights. The performers enter into negotiations with the SCHIRN’s building: the movement of the body explores and questions the architecture. It tells of the power and strength of a space—and of new possibilities for experiencing and embracing it or forming new spatial bodies.