Bárbara Wagner & Benjamin de Burca, Future of Yesterday, 2026, film still
© Courtesy of the artists & Fortes D’Aloia & Gabriel

Soon at the SCHIRN: Bárbara Wagner & Benjamin de Burca. The Tunnels We Dig

01/14/2026

3 min reading time

Bárbara Wagner & Benjamin de Burca
A couple poses in front of a blue geometric tile wall, smiling and wearing casual clothes.

In their video works and installations, the artist duo Bárbara Wagner & Benjamin de Burca collaborate with subcultures. SCHIRN presents works beyond the established art scene, portraying cultural resistance and the negotiation of identity within the participating subcultures.

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The SCHIRN is presenting the first major solo exhibition by Bárbara Wagner (*1980) & Benjamin de Burca (*1975) in Germany. For over a decade, the artist duo has been creating video works and installations in collaboration with cultural movements and collective practices that exist outside established venues and beyond the contemporary art scene.

The eponymous tunnels can be understood both as a physical structure and as a metaphor for artistic expression, cultural resistance, and the negotiation of identity. The film installations in the exhibition depict locally rooted, now intergenerational scenes that originally emerged as youth movements during the 1970s and 1980s, developing their own distinctive cultural or musical structures and systems of reference.

At the core of the exhibition is the newly commissioned production “Future of Yesterday” (2026). This work focuses on the hardcore scene in Germany, and in particular Straight Edge (“sXe” for short), a movement that originated on the East Coast of the United States as “clean” counterculture within the post-hardcore punk of the 1980s. Wagner & de Burca situate these scenes at the SCHIRN alongside other music movements. One of their earliest works “Estás vendo coisas / You are seeing things” (2016) examines the Brega scene from Recife, which emerged in northeast Brazil during the 1970s. The video installation “RISE” (2018) focuses on first or second generation Canadians of Afro-Caribbean descent, who in an act of self-empowerment, artistically appropriate the public space of Toronto’s subway system.

The exhibition’s audiovisual works powerfully address pressing sociopolitical concerns within the performers’ communities, drawing on cultural forms of expression through which they articulate identity and find a collective voice. Central to Wagner & de Burca’s artistic practice is a collaborative approach: the groups portrayed are actively involved in shaping the script, set design, music, choreography, and staging.

A couple poses in front of a blue geometric tile wall, smiling and wearing casual clothes.
Portrait of Bárbara Wagner & Benjamin de Burca, 2025
© Bárbara Wagner & Benjamin de Burca, Courtesy of the artist and
A young person presents a cassette titled "The Future of Yesterday" in a creative design.
Bárbara Wagner & Benjamin de Burca, Future of Yesterday, 2026, film still
© Courtesy of the artists & Fortes D’Aloia & Gabriel
A person with tattoos and blonde hair looks in a mirror, surrounded by colorful lights.
Bárbara Wagner & Benjamin de Burca, Estás vendo coisas / You are seeing things, 2016. Film still (MC Porck and Dayana)
© Courtesy of the artists and Fortes, D’Aloia & Gabriel, São Paulo/Rio de Janeiro
Two men pose in a modern setting in front of a camera while a third man films them.
Bárbara Wagner & Benjamin de Burca, RISE, 2018, Film still
© Courtesy of the artists and Fortes, D’Aloia & Gabriel, São Paulo/Rio de Janeiro