CASABLANCA ART SCHOOL: A POSTCOLONIAL AVANT-GARDE 1962–1987

JULY 12 – OCTOBER 13, 2024

Just a few years after Morocco gained independence in 1956, Casablanca became a vibrant center of cultural renewal. The Schirn Kunsthalle Frankfurt presents the unique and influential work of the Casablanca Art School in a first major, long-overdue exhibition. The main representatives of this innovative school—Farid Belkahia (1934–2014), Mohammed Chabâa (1935–2013), Bert Flint (1931–2022), Toni Maraini (b. 1941), and Mohamed Melehi (1936–2020), together with students, teachers, and associated artists—quickly became the central driving force for the development of postcolonial modern art in the region.

THE MOROCCAN “NEW WAVE”: THE SCHIRN PRESENTS THE INFLUENTIAL ART SCENE AROUND THE CASABLANCA ART SCHOOL IN A FIRST MAJOR EXHIBITION

They included a reassessment of the relationship between art, handicrafts, design, and architecture within the local context in dialogue with the ideas of the Bauhaus manifesto. This was achieved by combining artistic influences from Western metropolises with elements of the vernacular legacy which had been undermined during the colonial era. The Schirn will be presenting some 100 works, including large-format, colorful, abstract (mural) paintings, graphic experiments, and everyday objects, as well as comprehensive documentary material, revealing a specifically Moroccan art scene with transnational aspirations.

An exhibition organized by Schirn Kunsthalle Frankfurt, Tate St Ives, and Sharjah Art Foundation

Film of the exhibition

The Schirn presents the unique and influential work of the Casablanca Art School in a first major, long overdue exhibition. The film accompanying the show provides insights into the work of the main representatives of this innovative school, which quickly became a central driving force for the development of post-colonial modern art in the region.

CATALOG

The exhibition catalog presents a large number of works by teachers and students of the Casablanca Art School, which became a center for interdisciplinary experimentation and cultural renewal after Morocco's independence in 1956.

"CASABLANCA ART SCHOOL. A POSTCOLONIAL AVANT-GARDE 1962–1987", edited by Morad Montazami, Madeleine de Colnet, and Esther Schlicht, with contributions by Maud Houssais, Fatima-Zahra Lakrissa, and Morad Montazami, as well as a foreword by the director of the Schirn Kunsthalle Frankfurt, Sebastian Baden. German-English edition, 136 pages, approx. 150 illustrations, 19 x 27 cm, softcover, Spector Books, ISBN 978-3-95905-848-3, €29 (Schirn), €32 (bookstores)


Press information of the exhibition "Casablanca Art School: A Postcolonial Avant-Garde 1962–1987"

11.07.2024 | The Schirn Kunsthalle Frankfurt is presenting the unique and influential work of the Casablanca Art School from July 12 to October 12, 2024, in a first major exhibition, one that is long overdue.

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Wallpanels on the exhibition "Casablanca Art School: A Postcolonial Avant-Garde 1962–1987"

11.07.2024 | Here you can find the wallpanels of the exhibition "Casablanca Art School: A Postcolonial Avant-Garde 1962–1987".

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Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Anna Draus-Hafid, Symphonie forestière (Symphony of the Forest), 1982, installation view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, exhibition view, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, installation view Bik Van der Pol "School of Walking" in the Rotunda, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Casablanca Art School: A Postcolonial Avant-Garde 1962–1987, installation view Bik Van der Pol "School of Walking" in the Rotunda, © Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz

Malika Agueznay, Untitled, 1986, Mixed media on canvas, 120 x 87 cm, © The artist. Courtesy of private collection, Marrakech

Mohamed Ataallah, Composition, Tanger, c.1965, Acrylic paint on canvas, 127 x 94 cm, © Estate Atala. Courtesy of private collection, Marrakech

Farid Belkahia, Cuba Si, 1961, Oil paint on paper on plywood, 62.6 x 44.6 cm, © Foundation Farid Belkahia. Tate: Purchased with funds provided by the Middle East North Africa Acquisitions Committee 2016 / VG-Bild-Kunst, Bonn 2024

Mohammed Chabâa, Untitled, 1977, Acrylic paint on canvas, 75 x 95 cm, © Mohammed Chabâa estate. Image © Fouad Mazouz

Mustapha Hafid, I belong to you, 1975, Mixed media on canvas, 68,5 x 80 cm, © Collection of the artist

Mohamed Hamidi, Composition, 1971, Acrylic paint on canvas, 99 x 63.5 cm, © The artist. Courtesy of private collection, Marrakech / VG Bild-Kunst, Bonn 2024

Houssein Miloudi, Untitled, 1967, Acrylic paint on board, 119 x 197 cm, © The staete of the artist. Courtesy of private collection, Marrakech

Mohamed Melehi, Départ (Departure), 1964, Acrylic paint on canvas, 183 x 143 cm, Mujah Maraini-Melehi / VG Bild-Kunst, Bonn 2024

Mohamed Melehi, Untitled, 1969, Oil on canvas, 75 x 111 cm, © Mohamed Melehi Estate. Courtesy of private collection, Marrakech / VG Bild-Kunst, Bonn 2024

Mohamed Melehi, Untitled, 1983, Cellulose paint on wood, 150 x 200 cm, © Mohamed Melehi Estate / VG Bild-Kunst, Bonn 2024

Chaïbia Tallal, Cérémonie de Mariage (wedding ceremony), 1983, Oil on canvas, 180 x 180 cm, © The estate of the artist. Courtesy of private collection, Marrakech

The Italian artist Agostino Bonalumi, (standing in the center) visiting Mohamed Melehi’s Painting Workshop and students at the Casablanca Art School in 1965. At his left are Farid Belkahia and Mohammed Chebaa, Mohamed Melehi is seated. © Toni Maraini Archive, for kind concession of The Agostino Bonalumi Milan Archive

Student working in Mohammed Chabâa's graphic design studio, Casablanca Art School, Casablanca, Morocco, 1960s, Photo: Mohamed Melehi / Mohamed Melehi Estate

View of the Student Annual Exibition of the Arab League Park, June 1968, Photo © Mohammed Chabâa archives/estate

Programmatic Manifesto exhibition Présence Plastique, Place du 16 Novembre, Casablanca, Juni 1969, Photo: Atala estate/archives

Mural in progress, Asilah Moussem Culturel, 1978, Photo: Mohamed Melehi / Mohamed Melehi Estate

Mural by Mohammed Chabâa, Asilah Cultural Festival, Asilah, Morocco, 1978, Photo: Mohamed Melehi / Mohamed Melehi Estate