CASABLANCA ART SCHOOL: A POSTCOLONIAL AVANT-GARDE 1962–1987

JULY 12 – OCTOBER 13, 2024

Just a few years after Morocco gained independence in 1956, a vibrant center of cultural renewal developed in Casablanca. The main representatives of this innovative school—Farid Belkahia (1934–2014), Mohammed Chabâa (1935–2013), Bert Flint (1931–2022), Toni Maraini (1941) and Mohamed Melehi (1936–2020), together with students, teachers, and associated artists—soon became a central driver of the development of a postcolonial modern art in the region. Their aims combined an openness toward local history with the new social reality.

Mohamed Ataallah, Composition, Tanger, c.1965, Acrylic paint on canvas, 127 x 94 cm, ©Estate Atala . Courtesy of private collection, Marrakesh

THE SCHIRN IS PRESENTING THE UNIQUE AND INFLUENTIAL WORK OF THE CASABLANCA ART SCHOOL IN A FIRST MAJOR EXHIBITION, ONE THAT IS LONG OVERDUE

They included a reassessment of the relationship between art, handicrafts, design, and architecture within the local context in dialogue with the ideas of the Bauhaus manifesto. This was achieved by combining artistic influences from Western metropolises with elements of the vernacular legacy which had been undermined during the colonial era. The Schirn will be presenting some 100 works, including large-format, colorful, abstract (mural) paintings, graphic experiments, and everyday objects, as well as comprehensive documentary material, revealing a specifically Moroccan art scene with transnational aspirations.

Mohammed Chabâa, Untitled, 1977, Acrylic paint on canvas, 75 x 95 cm, © Mohammed Chabâa estate. Tate: Purchased from Nadia Chabâa with funds provided by the Nicholas Themans Trust and the Middle East North Africa Acquisitions Committee 2022, Image © Fouad Mazouz

Press information of the exhibition "Casablanca Art School. A Postcolonial Avant-Garde 1962–1987"

01.03.2024 | The Schirn Kunsthalle Frankfurt is presenting the unique and influential work of the Casablanca Art School from July 12 to October 12, 2024, in a first major exhibition, one that is long overdue.

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Farid Belkahia, Cuba Si, 1961, Oil paint on paper on plywood, 62.6 x 44.6 cm, © Foundation Farid Belkahia. Tate: Purchased with funds provided by the Middle East North Africa Acquisitions Committee 2016 / VG-Bild-Kunst, Bonn 2024

Mohamed Ataallah, Composition, Tanger, c.1965, Acrylic paint on canvas, 127 x 94 cm, © Estate Atala. Courtesy of private collection, Marrakesh

Mustapha Hafid, I belong to you, 1975, Mixed media on canvas, 68,5 x 80 cm, © Collection of the artist

Mohammed Chabâa, Untitled, 1977, Acrylic paint on canvas, 75 x 95 cm, © Mohammed Chabâa estate. Tate: Purchased from Nadia Chabâa with funds provided by the Nicholas Themans Trust and the Middle East North Africa Acquisitions Committee 2022, Image © Fouad Mazouz

Mohamed Melehi, Untitled, 1983, Cellulose paint on wood, 150 x 200 cm, © Mohamed Melehi Estate / VG Bild-Kunst, Bonn 2023

Chaïbia Tallal, Cérémonie de Mariage (wedding ceremony), 1983, Oil on canvas, 180 x 180 cm, © The estate of the artist. Courtesy of private collection, Marrakesh

Malika Agueznay, Untitled, 1986, Mixed media on canvas, 120 x 87 cm, © The artist. Courtesy of private collection, Marrakesh

View of the Student Annual Exibition of the Arab League Park, June 1968. Photo: All rights reserved, © Mohammed Chabâa archives/estate