The SCHIRN is showing two works by artist Liesel Burisch for its June edition of DOUBLE FEATURE. Following a discussion with the artist, there will be a screening of her favorite film “Songs from the second floor”
Das Magazin für Kunst und Szene – mit Interviews, Filmen, Kolumnen, Podcasts und aktuellen Berichten
What is art, what is reality? Is reality art? The ninth Berlin Biennale explores the definition of “post-present” – where the dividing lines between real and unreal are not always recognizable.
From nuclear energy to buttercups: Ten artists and works of art for which the color yellow – in various different shades – plays a key role.
Revolutionary, explosive, and popular: the SCHIRN presents comic-strip pioneers of the early 20th century.
At first glance Peter Halley’s works appear minimalist. Yet they are notably different to the Minimal Art of the post-War period: In Halley’s oeuvre, geometry loses its innocence.
It was in the Catalan metropolis of Barcelona that Miró was born, and it was here too that he took his first steps as an artist. Anyone visiting the city will quickly notice that Miró’s work is evident in many locations.
Hamburg-based artist Thorsten Brinkmann creates self-portraits in series – in which his face remains constantly hidden.
Two greats of the art world who influenced an entire generation of artists to an extent that is hard to overestimate: What links these two exceptional artists?
With the help of traditional ceramic techniques, the painter Joan Miró created murals of huge dimensions all over the world. One of the biggest ceramic walls is located in Ludwigshafen.
In 1986 four young artists, the so-called “Neo-Geo”, were fêted in New York as the most important discovery on the international art scene. One of the four was the 33-year-old Peter Halley.
In the Spessart region, not far from Aschaffenburg, Frankfurt natives Johanna Stemmler and Friedrich Gräfling run the Kunstverein Wiesen. Its current exhibition “Soft Costs” is centered entirely around limitless greed. A...
For Timm Ulrichs the distinction between life and art is obsolete. The portrait of a “Totalkünstler” (total artist) on SCHIRN MAGAZIN
Curator Martina Weinhart experiences an impressive installation by Ed Kienholz at the Fondazione Prada in Milan, where two further ongoing exhibitions are also well worth a visit.
The female self-portrait in photography.
Stereotypes are something artist Wolfgang Tillmans avoids at all costs. Because in his photos he is interested primarily in people as a multifaceted individuals.
In this DOUBLE FEATURE Corin Sworn presents the film “La Giubba”, which was shot in collaboration with Canadian artist Tony Romano.
How close does personalized online advertising get to us as our real persons? Technology critic Sara M. Watson describes a disconcerting encounter with her other ME.