{"id":61881,"date":"2026-10-21T12:15:55","date_gmt":"2026-10-21T10:15:55","guid":{"rendered":"https:\/\/www.schirn.de\/schirnmag\/bald-in-der-schirn-in-a-silent-way-episode-2\/"},"modified":"2026-11-05T11:07:18","modified_gmt":"2026-11-05T10:07:18","slug":"bald-in-der-schirn-in-a-silent-way-episode-2","status":"publish","type":"magazin-artikel","link":"https:\/\/www.schirn.de\/en\/schirnmag\/bald-in-der-schirn-in-a-silent-way-episode-2\/","title":{"rendered":"Now at the SCHIRN: In a Silent Way. Episode 2"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-magazin-artwork'>\n\n<div  class='header-magazine-artwork margin-bottom-3'>\n\n<div  class='header-magazine-artwork-bg-wrapper'>\n\n<div  class='header-magazine-artwork-bg-wrapper-contents'>\n\n<div  class='header-magazine-artwork-bg'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline  lazy-background-fill\" role=\"group\" aria-describedby=\"media_KO7nrn\">\n<script type=\"application\/json\">{\n\"id\" : 61951,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-300x200.jpg\",\"width\":300,\"height\":200,\"mime-type\":\"image\\\/jpeg\",\"filesize\":27950},\"large\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-1024x681.jpg\",\"width\":1024,\"height\":681,\"mime-type\":\"image\\\/jpeg\",\"filesize\":328629},\"medium_large\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-768x511.jpg\",\"width\":768,\"height\":511,\"mime-type\":\"image\\\/jpeg\",\"filesize\":184465},\"1536x1536\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-1536x1022.jpg\",\"width\":1536,\"height\":1022,\"mime-type\":\"image\\\/jpeg\",\"filesize\":727488},\"2048x2048\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-2048x1363.jpg\",\"width\":2048,\"height\":1363,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1260032},\"small\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-440x293.jpg\",\"width\":440,\"height\":293,\"mime-type\":\"image\\\/jpeg\",\"filesize\":60739},\"semi\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-580x386.jpg\",\"width\":580,\"height\":386,\"mime-type\":\"image\\\/jpeg\",\"filesize\":106568},\"mobile\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-720x479.jpg\",\"width\":720,\"height\":479,\"mime-type\":\"image\\\/jpeg\",\"filesize\":162174},\"hd\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-1280x852.jpg\",\"width\":1280,\"height\":852,\"mime-type\":\"image\\\/jpeg\",\"filesize\":511591},\"full\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-1920x1278.jpg\",\"width\":1920,\"height\":1278,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1113897},\"xxl\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz-4048x2694.jpg\",\"width\":4048,\"height\":2694,\"mime-type\":\"image\\\/jpeg\",\"filesize\":4156015},\"original\":{\"file\":\"Schirn_Presse_Denise-Mawila_Prise_2000-2026_c_Norbert-Miguletz.jpg\",\"width\":6666,\"height\":4436}},\n\"alt\" : \"Graffiti wall with a transparent curtain of strips separating an area in an urban environment.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 80,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:66.546654665467%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_KO7nrn\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">In a Silent Way: Sculptures around the SCHIRN, Episode 2, 2026, installation view, Denise Mawila, Prise (2000\/2026)<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2026, photo: Norbert Miguletz <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='header-magazine-artwork-fg'>\n<div class=\"wp-block wp-block-ho-flash \" style=\"\">\n\n\t\t\t\t\t\t\t\t<div class=\"flash-animation-data\" data-animations='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]' data-target=\"\" data-animationsmobile='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]'>\n\t\t\t\t\t<flash-animation inline-template>\n\t\t\t\t\t\t<div class=\"flash-animation\" :class=\"classes\" ref=\"layer\">\n\t\t\t\t\t\t\t\n\n<div  class='flex-full-height flex-layout-align-space-evenly'>\n\n<div  class='container-fluid sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4 text-align-center color-fg-text-white'  data-motion-text=\"{&quot;child&quot;:&quot;.ho-sd-mag-h2&quot;,&quot;force&quot;:true,&quot;delay&quot;:0,&quot;speed&quot;:0.9,&quot;ease&quot;:&quot;expo.out&quot;}\">\n<h1 class='ho-sd-mag-h2' style=\"white-space: normal;\">Now at the SCHIRN: <br \/>\nIn a Silent Way. Episode 2 <\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/flash-animation>\n\t\t\t\t<\/div>\n\t\t\t\t\n<\/div>\n<\/div>\n<\/div>\n\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-4 col-md-offset-8 margin-bottom-5'><section class='wp-block-ho-pattern ' data-pattern='ho\/magazin-header-eigenschaften'>\n\n<div  class='magazine-header-props text-align-right'>\n\n<div  class='container-fluid cf-rem-max-width cf-side-1 cf-gutter-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'><div class=\"wp-block-ho-slot \"><p>10\/21\/2026<\/p><\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='margin-bottom-3'>\n\n<div  class='flex-align-center-right'>\n<div class=\"wp-block-ho-slot \"><p>6 min reading time<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"container-fluid cf-rem-max-width cf-side-1 cf-gutter-1\"><div class=\"row\"><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"components-image-text-person-image-small-group flex-align-top-right\"><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-tertiary\"><a href=\"https:\/\/www.schirn.de\/en\/hauptkategorie\/context-en\/\" class=\"ho-tag-label\">Context<\/a><\/div><div class=\"ho-tag is-tertiary\" style=\"background-color:#000000;\"><a href=\"https:\/\/www.schirn.de\/en\/ho_ausstellung\/in-a-silent-way-en\/\" class=\"ho-tag-label\">In A Silent Way<\/a><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/exhibition\/\" class=\"ho-tag-label\">Exhibition<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/bockenheim-en\/\" class=\"ho-tag-label\">Bockenheim<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/frankfurt-en\/\" class=\"ho-tag-label\">Frankfurt<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/contemporary-art\/\" class=\"ho-tag-label\">Contemporary Art<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 last-xs col-md-8'>\t<p class='ho-sd-h4'>Glitter in the wind, lasers at night, art as birdseed: \u201c<a href=\"https:\/\/www.schirn.de\/en\/exhibition\/in-a-silent-way\/\">In A Silent Way<\/a>\u201d enters its second round and transforms the SCHIRN\u2019s outdoor space into a stage for the ephemeral.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-magazin-related-artikel'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-xs-12 padding-bottom-3'>\n<h4 class='ho-sd-mag-h3' style=\"white-space: normal;\"><\/h4>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6'>\t<p class='ho-sd-body'>The SCHIRN is expanding its exhibition \u201cIn A Silent Way: Sculptures around the SCHIRN\u201d to include three new site-specific works: \u201cPrise\u201d (2000\/2026) by Denise Mawila, \u201cspin jump crawl climb dream bite hunt\u201d (2024\u2013ongoing) by Paul Spengemann, and \u201cSelf-Portrait As My Father\u2019s Nose\u201d (2025\u201326) by Ian Waelder are now on view. The gradually growing sculpture series can be visited free of charge in the public outdoor grounds of the SCHIRN\u2019s temporary location in Frankfurt\u2019s Bockenheim district. \u201cIn A Silent Way\u201d explores the transience and fragility of environmental phenomena, transforming them into aesthetic experiences. Each of the artworks engages with the surroundings and the forces of nature\u2014sun, rain, and wind, animals, and the rhythms of day and night. <br><br>While the <a href=\"https:\/\/www.schirn.de\/en\/schirnmag\/bald-in-der-schirn-in-a-silent-way\/\">first episode<\/a>, featuring works by Katja Mater, Margaret Rasp\u00e9, and Bernhard Schreiner, allows viewers to experience processes such as the sound of rain, the movement of the sun, or the electrical vibrations generated by growing plants, the second episode adds works that respond to the changing conditions of the dark and rather barren season: wind and weather, the increasing darkness, and the shifting food supply for wildlife.<br><br>The works from the first episode remain part of the exhibition: Katja Mater with \u201cHIC. EST. TUUM. HORA. 50\u00b0 07\u2032 16\u2033 N 08\u00b0 39\u2032 12\u2033 E\u201d (2026), Margaret Rasp\u00e9 with \u201cRaindrums\u201d (1988\/2023), and Bernhard Schreiner with \u201cInstant Sonification (Local real-time composition, N 50\u00b0 7\u2032 16\u2033 E 8\u00b0 39\u2032 10\u2033)\u201d (2026). <br><br>The exhibition \u201cIn A Silent Way: Sculptures around the SCHIRN\u201d will continue and conclude with a third installment on April 15, 2027.<\/p>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 col-md-6 sizes-height-fit related-sticky'><a href=\"https:\/\/www.schirn.de\/en\/schirnmag\/in-a-silent-way-episode-1\/\" class=\"wp-block-ho-teaser teaser teaser-magazin-artikel related-sticky-teaser related-teaser-round\">\n\t\n\n<div  class='row'>\n\n<div  class='col col-xs-4'><div class=\"wp-block-ho-post-image \"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_6aec742dadc79\">\n<script type=\"application\/json\">{\n\"id\" : 59105,\n\"sizes\" : {\"medium\":{\"file\":\"IASW-Keyvisual-B-Logo_web-300x300.jpg\",\"width\":300,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":32543},\"large\":{\"file\":\"IASW-Keyvisual-B-Logo_web-1024x1024.jpg\",\"width\":1024,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":410300},\"medium_large\":{\"file\":\"IASW-Keyvisual-B-Logo_web-768x768.jpg\",\"width\":768,\"height\":768,\"mime-type\":\"image\\\/jpeg\",\"filesize\":230591},\"1536x1536\":{\"file\":\"IASW-Keyvisual-B-Logo_web-1536x1536.jpg\",\"width\":1536,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":847868},\"small\":{\"file\":\"IASW-Keyvisual-B-Logo_web-440x440.jpg\",\"width\":440,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":69958},\"semi\":{\"file\":\"IASW-Keyvisual-B-Logo_web-580x580.jpg\",\"width\":580,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":128893},\"mobile\":{\"file\":\"IASW-Keyvisual-B-Logo_web-720x720.jpg\",\"width\":720,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":203869},\"hd\":{\"file\":\"IASW-Keyvisual-B-Logo_web-1280x1280.jpg\",\"width\":1280,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":618819},\"original\":{\"file\":\"IASW-Keyvisual-B-Logo_web.jpg\",\"width\":1800,\"height\":1800}},\n\"alt\" : \"Grafik mit gelbem Hintergrund und Zahlen (2, 3, 10) in einer k\\u00fcnstlerischen Komposition, Schirn Kunsthalle Frankfurt.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:100%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-8 related-sticky-teaser-content'>\n\n<div  class='padding-bottom-2'>\t<p class='ho-sd-category-small'>You may also like<\/p>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\"><h3 class=\"ho-sd-teaser-headline-small\">In A Silent Way. Episode 1<\/h3><\/div>\n<\/div>\n<\/div>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/text-magazin-zitat'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row center-xs'>\n\n<div  class='col col-xs-12 col-md-10 col-md-offset-1'>\n<h4 class='ho-sd-mag-h3 mag-quote-title' style=\"white-space: normal;\">\u201cWith Denise Mawila, Paul Spengemann, and Ian Waelder, three new works are joining the exhibition series that respond to the changing conditions of the cold season, while further emphasizing the temporary dimension. At the same time, the works question how reliable our perceptions, our memories, and our relationships are\u2014and how easily they can be changed and influenced.\u201d<\/h4>\n\n\n\n\n<div  class='padding-top-5'>\t<p class='ho-sd-body-small'>Theresa Dettinger and Matthias Ulrich, <br>Curators of the exhibition<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\"><br \/>\nBetween Glory and Decay<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Denise Mawila\u2019s works bear witness to the decay of elegance. The artist combines an awareness of form and beauty with a sense of the fragility of the moment and explores how everyday phenomena shape our perception. As if announcing a celebration or else serving as its remnant, \u201cPrise\u2019s\u201d shimmering material is deliberately arranged by Mawila in a public \u201cnon-place,\u201d next to the parking lot on the north side of the former Dondorf printing factory. The curtain\u2019s mirrored strips, in constant motion and flux owing to the effects of light and wind, are exposed to the weather, which \u201cmarks\u201d the curtain over time. Curtains like these are often seen in temporary settings like stage sets, parties, or storefront displays.<br><br>A new iteration of an idea more than twenty-five years old, \u201cPrise\u201d transforms public space into a site of encounter and joy\u2014following in the spirit of relational aesthetics, which understands art as staging a social exchange between people. Mawila originally developed the minimalist sculpture, made from tinsel, with a fellow student at Offenbach University of Art and Design (HfG). The use of readymades\u2014industrially manufactured everyday objects\u2014has since become a constant in the artist\u2019s works, reflecting her interest in the rearrangement of existing objects and their relationships. <\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.schirn.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zwei-bilder-gross-klein'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='cf-side-5 col col-md-7 col-xs-11 mobile-margin-bottom-5'>\n\n<div 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\/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">In a Silent Way: Sculptures around the SCHIRN, Episode 2, 2026, installation view, Denise Mawila, Prise (2000\/2026)<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2026, photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-11 col-xs-offset-1 col-md-4 col-md-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_mJVyHD\">\n<script type=\"application\/json\">{\n\"id\" : 58250,\n\"sizes\" : 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/09\/Schirn_Presse_Portraet_Denise-Mawila_c_Foto-Firle-1920x1918.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/09\/Schirn_Presse_Portraet_Denise-Mawila_c_Foto-Firle-1920x1918.jpg 1920w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/09\/Schirn_Presse_Portraet_Denise-Mawila_c_Foto-Firle-300x300.jpg 300w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/09\/Schirn_Presse_Portraet_Denise-Mawila_c_Foto-Firle-1024x1024.jpg 1024w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/09\/Schirn_Presse_Portraet_Denise-Mawila_c_Foto-Firle-150x150.jpg 150w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/09\/Schirn_Presse_Portraet_Denise-Mawila_c_Foto-Firle-768x767.jpg 768w, 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with stars.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_mJVyHD\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Portrait Denise Mawila<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Foto Firl\u00e9<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Dreams, Longings and Lasers<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>After dark, Paul Spengemann\u2019s laser projection \u201cspin jump crawl climb dream bite hunt\u201d illuminates the SCHIRN\u2019s north facade in Frankfurt\u2019s Bockenheim district, causing an unusual figure to appear that constantly takes on new forms. Out of fine white lines, it forms spiderwebs that transform into grotesque faces, or the shapes of letters and words that remain largely incomprehensible. Time and again the threads snap, and it has to start all over. <br><br>Paul Spengemann uses lasers as a tool for exploring spaces and telling stories. The spiderlike creature not only crawls, climbs, jumps, and hunts, but also dreams and expresses fears and desires. With the help of its threads, it shares emotional experiences with the audience as it tries to form a connection. The repeatedly failed attempts at communication and the ambivalent soundtrack create an underlying mood of melancholia, which sometimes veers toward the unsettling. Occasionally the English word \u201cgobble\u201d can be discerned, which means, among other things, \u201cto devour.\u201d Whether the creature uses illusions to lure prey or is itself seeking companionship and support remains unclear. The same goes for the question of how reliably feelings can be interpreted and how secure our connections are.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.schirn.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zwei-bilder-gross-klein'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='cf-side-5 col col-md-7 col-xs-11 mobile-margin-bottom-5'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline 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: \"Lighting of a building with a spider-web motif, set against an urban scene at dusk.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:71.18261360429%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: 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class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2026, photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-11 col-xs-offset-1 col-md-4 col-md-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_mJVyHD\">\n<script type=\"application\/json\">{\n\"id\" : 61629,\n\"sizes\" : 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Portraet_Paul-Spengemann_c_Nikolas-Geier-1536x1920.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Portraet_Paul-Spengemann_c_Nikolas-Geier-1536x1920.jpg 1536w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Portraet_Paul-Spengemann_c_Nikolas-Geier-240x300.jpg 240w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Portraet_Paul-Spengemann_c_Nikolas-Geier-819x1024.jpg 819w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Portraet_Paul-Spengemann_c_Nikolas-Geier-768x960.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Portraet_Paul-Spengemann_c_Nikolas-Geier-1229x1536.jpg 1229w, 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\/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_mJVyHD\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Paul Spengemann<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: Nikolas Geier<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Memory in Flux<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>What traces do we leave behind? How reliable is our memory? Ian Waelder\u2019s facade sculptures can be found at several locations around the former Dondorf printing factory. They are based on a clay sculpture modeled after the nose of the artist\u2019s father, Juan Waelder, depicting what the artist deems the \u201cWaelder Nose.\u201d It is an ironic self-portrait that will gradually disintegrate over time. The papier-m\u00e2ch\u00e9 works, studded with birdseed, are subject to destruction caused by birds and the elements. Referencing the 1969 sculpture \u201cP.O.TH.A.A.VFB (Portrait of the Artist as a Vogelfutterb\u00fcste [Birdseed Bust])\u201d by the Swiss artist Dieter Roth, they convey an anti-monumental gesture: rather than being treated as something stable and unchanging, memory here is constantly exposed to external attacks and forgetting. Waelder\u2019s work challenges what we think we know about the past.<br><br>\u201cSelf-Portrait As My Father\u2019s Nose\u201d confronts the viewer with a historically charged motif. The stereotype of the \u201cJewish nose\u201d is a central part of a long history of antisemitic depictions. In 2017, the artist became the first member of his family to return to Germany. His grandfather, Friedrich W\u00e4lder, fled from a concentration camp near Stuttgart to Chile in 1939, where he went by the name Federico Waelder. He was his family\u2019s sole survivor. His grandson never met him and knows him only through historical, material traces, such as cassette recordings of piano music and, indeed, his father\u2019s nose. Waelder deliberately takes up this physical feature that, due to its racist instrumentalization, is typically avoided, and then imbues it with a personal reference. In a formal language that embraces brittleness and fragility, Waelder creates artistic reflections on biography, memory, and remembrance.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.schirn.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zwei-bilder-gross-klein'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='cf-side-5 col col-md-7 col-xs-11 mobile-margin-bottom-5'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" 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https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/10\/Schirn_Presse_Ian-Waelder_Self-Portrait-As-My-Fathers-Nose_2025_2026_c_Norbert-Miguletz_2-852x1280.jpg 852w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"Wall with a colorful brick structure and a striking sculptural object in the shape of a nose.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">In a Silent Way: Sculptures around the SCHIRN, Episode 2, 2026, installation view, Ian Waelder, Self-Portrait As My Father\u2019s Nose (2025\/2026)<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2026, photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-11 col-xs-offset-1 col-md-4 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\/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_mJVyHD\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Ian Waelder<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: Eike Walkenhorst<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Glitter in the wind, lasers at night, art as birdseed: \u201cIn A Silent Way\u201d enters its second round and transforms the SCHIRN\u2019s outdoor space into a stage for the 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