{"id":54231,"date":"2026-06-01T16:54:55","date_gmt":"2026-06-01T14:54:55","guid":{"rendered":"https:\/\/www.schirn.de\/?post_type=magazin-artikel&#038;p=54231"},"modified":"2026-06-19T12:02:50","modified_gmt":"2026-06-19T10:02:50","slug":"bald-in-der-schirn-the-world-through-ai","status":"publish","type":"magazin-artikel","link":"https:\/\/www.schirn.de\/en\/schirnmag\/bald-in-der-schirn-the-world-through-ai\/","title":{"rendered":"Now at the SCHIRN: The World Through AI"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-magazin-artwork'>\n\n<div  class='header-magazine-artwork margin-bottom-3'>\n\n<div  class='header-magazine-artwork-bg-wrapper'>\n\n<div  class='header-magazine-artwork-bg-wrapper-contents'>\n\n<div  class='header-magazine-artwork-bg'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline  lazy-background-fill\" role=\"group\" aria-describedby=\"media_KO7nrn\">\n<script 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: \"A young man sits underwater, surrounded by greenish light and silhouetted diving equipment.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:100%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_KO7nrn\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Gr\u00e9gory Chatonsky, The Fourth Memory, 2025, installation, generative film, 3D prints, digital prints, robot, aluminum, stones<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Gr\u00e9gory Chatonsky <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='header-magazine-artwork-fg'>\n<div class=\"wp-block wp-block-ho-flash \" style=\"\">\n\n\t\t\t\t\t\t\t\t<div class=\"flash-animation-data\" data-animations='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]' data-target=\"\" data-animationsmobile='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]'>\n\t\t\t\t\t<flash-animation inline-template>\n\t\t\t\t\t\t<div class=\"flash-animation\" :class=\"classes\" ref=\"layer\">\n\t\t\t\t\t\t\t\n\n<div  class='flex-full-height flex-layout-align-space-evenly'>\n\n<div  class='container-fluid sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4 text-align-center color-fg-text-white'  data-motion-text=\"{&quot;child&quot;:&quot;.ho-sd-mag-h2&quot;,&quot;force&quot;:true,&quot;delay&quot;:0,&quot;speed&quot;:0.9,&quot;ease&quot;:&quot;expo.out&quot;}\">\n<h1 class='ho-sd-mag-h2' style=\"white-space: normal;\">Now at the SCHIRN: The World Through AI<\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/flash-animation>\n\t\t\t\t<\/div>\n\t\t\t\t\n<\/div>\n<\/div>\n<\/div>\n\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-4 col-md-offset-8 margin-bottom-5'><section class='wp-block-ho-pattern ' data-pattern='ho\/magazin-header-eigenschaften'>\n\n<div  class='magazine-header-props text-align-right'>\n\n<div  class='container-fluid cf-rem-max-width cf-side-1 cf-gutter-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'><div class=\"wp-block-ho-slot \"><p>06\/01\/2026<\/p><\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='margin-bottom-3'>\n\n<div  class='flex-align-center-right'>\n<div class=\"wp-block-ho-slot \"><p>12 min reading time<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"container-fluid cf-rem-max-width cf-side-1 cf-gutter-1\"><div class=\"row\"><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"components-image-text-person-image-small-group flex-align-top-right\"><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-tertiary\"><a href=\"https:\/\/www.schirn.de\/en\/hauptkategorie\/context-en\/\" class=\"ho-tag-label\">Context<\/a><\/div><div class=\"ho-tag is-tertiary\" style=\"background-color:#f2ad3e;\"><a href=\"https:\/\/www.schirn.de\/en\/ho_ausstellung\/the-world-through-ai-en\/\" class=\"ho-tag-label\">The World Through AI<\/a><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/exhibition\/\" class=\"ho-tag-label\">Exhibition<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/digital-art-en\/\" class=\"ho-tag-label\">Digital Art<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/society\/\" class=\"ho-tag-label\">Society<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/politics\/\" class=\"ho-tag-label\">Politics<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/contemporary-art\/\" class=\"ho-tag-label\">Contemporary Art<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 last-xs col-md-8'>\t<p class='ho-sd-h4'>Starting June 11, 2026, the SCHIRN will explore the impact of artificial intelligence in its major summer exhibition, <a href=\"https:\/\/www.schirn.de\/en\/exhibition\/the-world-through-ai\/\">\u201cThe World Through AI\u201d<\/a>, addressing ethical, environmental, and political questions: How does AI generate images? How is knowledge organized, and how are new realities created?<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>AI technologies are fundamentally changing how images are created, processed, disseminated, described, and viewed. Their influence on visual culture and contemporary art practice is one of the most visible manifestations of AI, which is governed by opaque technical processes. The SCHIRN\u2019s major summer exhibition therefore presents artworks from the past ten years to the present that engage with the cognitive, psychological, political, and ecological dimensions of artificial intelligence (AI). Including video installations, graphic works, sculptures, photographs, and several new works produced specifically for the exhibition, the SCHIRN will display approximately 40 works by international artists across both exhibition spaces in the former Dondorf printing factory.<br><br>The show will examine a broad spectrum of topics, ranging from resources and environmental concerns to perception, machine vision, face and emotion recognition, and memory. The works of art address microwork, the establishment of alternative historical narratives, and visions of the future, as well as \u201cAI slop\u201d and \u201cslopaganda\u201d (the use of AI-generated images as a new form of political propaganda). <br>These works are accompanied by a series of time capsules, forming a secondary register in the exhibition that links the present to the past, thereby embedding today\u2019s technological transformations in a historical context.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/text-magazin-zitat'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row center-xs'>\n\n<div  class='col col-xs-12 col-md-10 col-md-offset-1'>\n<h4 class='ho-sd-mag-h3 mag-quote-title' style=\"white-space: normal;\">\u201cThe artists in the exhibition illuminate the many facets of AI and thereby providing critical tools for navigating a growing AI landscape and creating the potential to act beyond the mainstream.\u201d<\/h4>\n\n\n\n\n<div  class='padding-top-5'>\t<p class='ho-sd-body-small'>Antonio Somaini and Katharina Dohm, Curators<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Opaque Infrastructures And Toxic Materiality<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>The tour begins in Hall 1 with <strong>Timo Arnall\u2019s<\/strong> \u201cInternet machine\u201d (2014) and draws attention to the massive data centers where AI technologies are housed. In his video installation, the artist reveals the reality of digital infrastructure, which\u2014contrary to what the rhetoric of the intangible \u201ccloud\u201d might suggest\u2014requires vast physical structures and enormous amounts of electricity and water to run.<br><br>The material and functional structures underlying AI systems are explored by several artists. In his series \u201cMetamorphism\u201d (2016), <strong>Julian Charri\u00e8re<\/strong> fuses computer components such as motherboards and processors (CPUs) with soil to create sculptural mineral formations, raising questions about the toxicity of digital waste. The video installation \u201cComputational Compost\u201d (2023) by <strong>Marina Otero Verzier<\/strong> examines the ecological impact and limitations of technological data storage and other forms of collective memory. <strong>Agnieszka Kurant<\/strong> addresses alternative, nonhuman forms of collective intelligence in works such as \u201cA.A.I. (System\u2019s Negative) No. 6\u201d (2016), a negative cast in zinc of an abandoned termite mound.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 50387,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-230x300.jpg\",\"width\":230,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":23440},\"large\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-786x1024.jpg\",\"width\":786,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":201947},\"medium_large\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-768x1001.jpg\",\"width\":768,\"height\":1001,\"mime-type\":\"image\\\/jpeg\",\"filesize\":193994},\"1536x1536\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-1179x1536.jpg\",\"width\":1179,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":386230},\"2048x2048\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-1572x2048.jpg\",\"width\":1572,\"height\":2048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":619066},\"small\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-338x440.jpg\",\"width\":338,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":47585},\"semi\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-445x580.jpg\",\"width\":445,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":77640},\"mobile\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-553x720.jpg\",\"width\":553,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":112435},\"hd\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-982x1280.jpg\",\"width\":982,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":288511},\"full\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere-1473x1920.jpg\",\"width\":1473,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":555370},\"original\":{\"file\":\"Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\\u00a9-Julian-Charriere.jpg\",\"width\":2719,\"height\":3543}},\n\"alt\" : \"Close-up of a mineral rock featuring green and blue hues with many small holes and uneven surfaces.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:130.3052592865%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-1473x1920.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-1473x1920.jpg 1473w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-230x300.jpg 230w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-786x1024.jpg 786w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-768x1001.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-1179x1536.jpg 1179w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-1572x2048.jpg 1572w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-338x440.jpg 338w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-445x580.jpg 445w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-553x720.jpg 553w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Julian-Charriere_Metamorphism-LI_2016_\u00a9-Julian-Charriere-982x1280.jpg 982w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"Close-up of a mineral rock featuring green and blue hues with many small holes and uneven surfaces.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Julian Charri\u00e8re, Metamorphism LI, 2016, Installations, artificial lava, molten computer waste (motherboards, CPUs, RAMs, hard drives, cables), Corian base, steel, white glass, 170 \u00d7 25 \u00d7 25 cm<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Julian Charri\u00e8re \/ VG Bild-Kunst, Bonn 2026<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">From Machine Vision To The Reorganization Of Words And Images<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>A further section is dedicated to machine vision and the new culture of a nonhuman gaze determined by algorithms. The SCHIRN presents, among other works, \u201cEye \/ Machine I\u2013III\u201d (2001\u20132003) by <strong>Harun Farocki<\/strong>, which unfolds across three separate video installations. At the beginning of the twenty-first century, the filmmaker and theorist was already engaging with technologies of automated detection, identification, and classification of objects, places, bodies, and faces, used in areas as varied as warfare, industrial production, traffic management, and robotics. <br><br>Among the works dedicated to face and emotion recognition is <strong>Trevor Paglen\u2019s<\/strong> video work \u201cBehold These Glorious Times!\u201d (2017), which places images of objects, faces and their features, and emotions drawn from large training datasets alongside their machine analyses. The interactive installation \u201cFaces of ImageNet\u201d (2022) provides a live, first-hand demonstration for viewers of how a system based on potentially discriminatory datasets recognizes and categorizes them.<br><br>The exhibition also explores the algorithmic reconfiguration of the relationship between words and images, between the verbal and the visible. Generative AI models produce complex linguistic descriptions of images or, conversely, translate written instructions (or prompts) into visualizations. The collective<strong> Taller Estampa<\/strong> uses translation via object and face analysis programs as well as image-to-text models for its video installations, in which paintings and film segments are rendered as language. \u201cWhat Do You See, YOLO9000?\u201d (2019) and \u201cEkphrasis\u201d (2025) reveal the limitations of these narrowly trained systems as well as the poetic potential that arises from the attempt to translate images into words.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 50372,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-252x300.jpg\",\"width\":252,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":11610},\"large\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-862x1024.jpg\",\"width\":862,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":83515},\"medium_large\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-768x913.jpg\",\"width\":768,\"height\":913,\"mime-type\":\"image\\\/jpeg\",\"filesize\":68257},\"1536x1536\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-1292x1536.jpg\",\"width\":1292,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":172720},\"2048x2048\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-1723x2048.jpg\",\"width\":1723,\"height\":2048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":297754},\"small\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-370x440.jpg\",\"width\":370,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20691},\"semi\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-488x580.jpg\",\"width\":488,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":33291},\"mobile\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-606x720.jpg\",\"width\":606,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":45672},\"hd\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-1077x1280.jpg\",\"width\":1077,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":122765},\"full\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen-1615x1920.jpg\",\"width\":1615,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":260849},\"original\":{\"file\":\"Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\\u00a9-Trevor-Paglen.jpg\",\"width\":2981,\"height\":3543}},\n\"alt\" : \"Painting of a red and green apple with a large white sign that says &quot;This is not an apple.&quot;\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:118.85273398189%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-1615x1920.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-1615x1920.jpg 1615w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-252x300.jpg 252w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-862x1024.jpg 862w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-768x913.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-1292x1536.jpg 1292w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-1723x2048.jpg 1723w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-370x440.jpg 370w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-488x580.jpg 488w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-606x720.jpg 606w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Trevor-Paglen_The-Treachery-of-Object-Recognition_2019-\u00a9-Trevor-Paglen-1077x1280.jpg 1077w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"Painting of a red and green apple with a large white sign that says &quot;This is not an apple.&quot;\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Trevor Paglen, The Treachery of Object Recognition, 2019, dye sublimation print on aluminum, 15 \u00d7 12 \u00bd in. (38.10 \u00d7 31.75 cm), 15 \u215d \u00d7 13 \u215b \u00d7 1 \u00bd in. (39.69 \u00d7 33.34 \u00d7 3.81 cm) (framed)<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Trevor Paglen, Courtesy of the Artist, Altman Siegel, San Francisco, and the Pace Gallery<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Visible Power, Invisible Labor<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'><strong>Kate Crawford and Vladan Joler\u2019s<\/strong> large-format diagram \u201cCalculating Empires: A Genealogy of Technology and Power Since 1500\u201d (2023) charts the deep genealogies and intertwined developments that have led to the current state of AI, making visible a history spanning more than five centuries in which technology and automation have been used to gain power and influence over the body, the mind, societies, time, and space. <br><br>The following sections explore the largely unseen human labor behind seemingly autonomous AI systems. <strong>Hito Steyerl\u2019s<\/strong> work \u201cMechanical Kurds\u201d (2025) references an eighteenth century chess-playing automaton constructed by Wolfgang von Kempelen, which was actually operated by a hidden chess master, as well as Amazon Mechanical Turk, an online platform for outsourced microtasks. The video installation documents the work of Kurdish \u201cclickworkers\u201d living in refugee camps, where they train unmanned drones that may eventually be deployed against the same Kurdish population.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 53407,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-300x194.jpg\",\"width\":300,\"height\":194,\"mime-type\":\"image\\\/jpeg\",\"filesize\":22785},\"large\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1024x662.jpg\",\"width\":1024,\"height\":662,\"mime-type\":\"image\\\/jpeg\",\"filesize\":128293},\"medium_large\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-768x496.jpg\",\"width\":768,\"height\":496,\"mime-type\":\"image\\\/jpeg\",\"filesize\":86496},\"1536x1536\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1536x993.jpg\",\"width\":1536,\"height\":993,\"mime-type\":\"image\\\/jpeg\",\"filesize\":218537},\"2048x2048\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-2048x1324.jpg\",\"width\":2048,\"height\":1324,\"mime-type\":\"image\\\/jpeg\",\"filesize\":321546},\"small\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-440x284.jpg\",\"width\":440,\"height\":284,\"mime-type\":\"image\\\/jpeg\",\"filesize\":40484},\"semi\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-580x375.jpg\",\"width\":580,\"height\":375,\"mime-type\":\"image\\\/jpeg\",\"filesize\":60462},\"mobile\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-720x465.jpg\",\"width\":720,\"height\":465,\"mime-type\":\"image\\\/jpeg\",\"filesize\":80173},\"hd\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1280x827.jpg\",\"width\":1280,\"height\":827,\"mime-type\":\"image\\\/jpeg\",\"filesize\":170801},\"full\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1920x1241.jpg\",\"width\":1920,\"height\":1241,\"mime-type\":\"image\\\/jpeg\",\"filesize\":294016},\"original\":{\"file\":\"Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle.jpg\",\"width\":3654,\"height\":2362}},\n\"alt\" : \"Futuristic scene with a vehicle, flying people, and a comment about AI and drones.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:64.64148877942%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1920x1241.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1920x1241.jpg 1920w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-300x194.jpg 300w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1024x662.jpg 1024w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-768x496.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1536x993.jpg 1536w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-2048x1324.jpg 2048w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-440x284.jpg 440w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-580x375.jpg 580w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-720x465.jpg 720w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/05\/Schirn_Presse_WTAI_Hito-Steyerl_Mechanical_Kurds_2025_subtitle-1280x827.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"Futuristic scene with a vehicle, flying people, and a comment about AI and drones.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Hito Steyerl, Mechanical Kurds, 2025, Single-channel HD video installation, color, sound, aluminium frame,13 min.<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Courtesy the artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin\/Paris\/Seoul, Stills Hito Steyerl \/ VG Bild-Kunst, Bonn 2026<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">AI Utopia And Hallucination As Artistic Tools<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>A further section is dedicated to hallucinations and psyops. Generative AI is said to \u201challucinate\u201d when it produces outputs that do not align with the intentions of the prompts or instructions given to them. Such malfunctions may be random, statistically possible outputs, but they can also be deliberately engineered, serving as a means of psychological manipulation. Using two works from the series \u201cAdversarially Evolved Hallucinations\u201d (2017), <strong>Trevor Paglen<\/strong> demonstrates how generative AI models known as GANs (Generative Adversarial Networks) can be actively induced to hallucinate by training them on complex and heterogeneous images depicting allegories, metaphors, and symbols, described by keywords drawn from literature, philosophy, poetry, folklore, and spiritual traditions. With the video series \u201cCyclops\u201d (2023), Paglen situates the current development of AI within a longer tradition originating in the psychological warfare and mind-control experiments of the Cold War.<br><br>Another room presents the interactive work \u201cxhairymutantx\u201d (2024\u201325) by <strong>Holly Herndon and Mat Dryhurst<\/strong>. Countering technology whose development has been shaped by corporate interests, the work proposes an alternative conception of AI as a medium for artistic imagination and collective creation. Taking as its starting point the question of how our image is encoded by and embedded within AI models, and how we can take back control over our representations, the artists developed their own public text-to-image model, complete with a prompt interface, that continually generates variations of a red-haired, mutated figure who resembles Holly Herndon. The work forms part of a broader, ongoing body of work in which the artists aim to envision and actualize an AI that is open, transparent, and collective. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 51334,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-200x300.jpg\",\"width\":200,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":21335},\"large\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-682x1024.jpg\",\"width\":682,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":141436},\"medium_large\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-768x1153.jpg\",\"width\":768,\"height\":1153,\"mime-type\":\"image\\\/jpeg\",\"filesize\":169360},\"1536x1536\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1023x1536.jpg\",\"width\":1023,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":265266},\"2048x2048\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1364x2048.jpg\",\"width\":1364,\"height\":2048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":414767},\"small\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-293x440.jpg\",\"width\":293,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":38751},\"semi\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-386x580.jpg\",\"width\":386,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":59141},\"mobile\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-480x720.jpg\",\"width\":480,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":81687},\"hd\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-853x1280.jpg\",\"width\":853,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":199884},\"full\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1279x1920.jpg\",\"width\":1279,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":375136},\"original\":{\"file\":\"Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024.jpg\",\"width\":2362,\"height\":3546}},\n\"alt\" : \"Futuristic figure with orange braids in a green suit, standing under a blue sky with clouds.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:150.12701100762%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1279x1920.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1279x1920.jpg 1279w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-200x300.jpg 200w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-682x1024.jpg 682w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-768x1153.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1023x1536.jpg 1023w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-1364x2048.jpg 1364w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-293x440.jpg 293w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-386x580.jpg 386w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-480x720.jpg 480w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Holly-Herndon-_Mat-Dryhurst_xhairymutantx_Embedding-Study-1_2024-853x1280.jpg 853w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"Futuristic figure with orange braids in a green suit, standing under a blue sky with clouds.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Holly Herndon &#038; Mat Dryhurst, xhairymutantx, Embedding Study 1, 2024, dye-Sublimation Print on Aluminium 181.93 x 121.29 cm (71.6 in x 47.8 in)<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Courtesy of the artist Holly Herndon &#038; Mat Dryhurst and private collection<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">(Not) A Colonial Entrenchment Through AI <\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>The exhibition tour continues in Hall 2. Two artistic positions explore the themes of colonial logics and decolonial AI. <strong>Nouf Aljowaysir\u2019s<\/strong> work \u201cSalaf\u201d (2021\u201325) draws on images of Bedouin groups from the photographic archive of British writer, explorer, and archaeologist Gertrude Bell (1868\u20131926). By replacing the human figures in Bell\u2019s photographs with white, ghostly silhouettes, Aljowaysir demonstrates that image recognition systems trained on biased datasets cannot correctly interpret images of non-Western cultures, leading to them being forgotten. For \u201cBabylonian Vision \u2013 \u0627\u0644\u0631\u0624\u064a\u0629 \u0627\u0644\u0628\u0627\u0628\u0644\u064a\u201d from 2020, <strong>Nora Al-Badri<\/strong> trained generative AI models on images of artifacts from Mesopotamian, Assyrian, and Neo-Sumerian collections held in Western museums, generating new images intended to liberate these objects from their colonial appropriation.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 50365,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-237x300.jpg\",\"width\":237,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":21128},\"large\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-808x1024.jpg\",\"width\":808,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":180872},\"medium_large\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-768x973.jpg\",\"width\":768,\"height\":973,\"mime-type\":\"image\\\/jpeg\",\"filesize\":164534},\"1536x1536\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-1212x1536.jpg\",\"width\":1212,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":406721},\"2048x2048\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-1617x2048.jpg\",\"width\":1617,\"height\":2048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":724438},\"small\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-347x440.jpg\",\"width\":347,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":40316},\"semi\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-458x580.jpg\",\"width\":458,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":65064},\"mobile\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-568x720.jpg\",\"width\":568,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":94385},\"hd\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-1010x1280.jpg\",\"width\":1010,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":282018},\"full\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir-1516x1920.jpg\",\"width\":1516,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":636745},\"original\":{\"file\":\"Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\\u00a9-Nouf-Aljowaysir.jpg\",\"width\":2368,\"height\":3000}},\n\"alt\" : \"A blurred, historic portrait of a person in traditional clothing against an oriental backdrop.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:126.68918918919%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-1516x1920.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-1516x1920.jpg 1516w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-237x300.jpg 237w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-808x1024.jpg 808w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-768x973.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-1212x1536.jpg 1212w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-1617x2048.jpg 1617w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-347x440.jpg 347w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-458x580.jpg 458w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-568x720.jpg 568w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Nouf-Aljowaysir_Man-in-Arab-Costume_2020_\u00a9-Nouf-Aljowaysir-1010x1280.jpg 1010w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"A blurred, historic portrait of a person in traditional clothing against an oriental backdrop.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Nouf Aljowaysir, Salaf #74: Man in Arab Costume, 2020<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Nouf Aljowaysir<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">AI Slop And The Aesthetics Of Algorithmic Overproduction<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>AI slop refers to the vast amounts of synthetic, generic AI content increasingly circulating online, representing a new form of viral communication. In their video \u201cWelcome to Jankspace, Babes\u201d (2025), <strong>Daniel Felstead and Jenn Leung <\/strong>explore a contemporary internet culture saturated with AI slop, guided by a Julia Fox avatar. When deployed as a political tool, this stereotypical and repetitive content becomes slopaganda, designed to shock, provoke, and troll. <br><br>Created specifically for this exhibition, <strong>Occitane Lacurie and Barnab\u00e9 Sauvage\u2019s<\/strong> newly produced multimedia installation \u201cHoly Slop! A Generative Atlas of Slopaganda in Palestine\u201d (2026) examines this form of viral propaganda through the AI-generated video \u201cTrump Gaza,\u201d exploring how colonial and Orientalist visual languages are encoded in and further disseminated by generative AI models.<br><br>The following space explores the profound changes in visual culture occurring within the field of photography, where generative AI models, trained on billions of images and their accompanying texts, can now produce deceptively realistic results. Generated through statistical computation, independent of optical capture and light recording, they undermine the evidential power of photography and lend an aura of documentary \u201ctruth\u201d to speculative imaginings. <strong>Joan Fontcuberta\u2019s<\/strong> series \u201ceHerbarium\u201d (2024\u201325) brings together photorealistic images of nonexistent plants generated using the AI model Stable Diffusion. For his image series \u201cCin\u00e9ma vivant\u201d (2024), <strong>\u00c9rik Bullot<\/strong> used the generative AI model Lexica to visualize, through photographic images, the \u201cvisionary program\u201d on the future of cinema elaborated by the Symbolist poet Saint-Pol-Roux in the 1920s. <br><\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-drei-bilder'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-11 mobile-margin-bottom-5 col-md-7'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 50389,\n\"sizes\" : 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class=\"lazy-media-image-description\">\u00a9 Courtesy of the artists<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Memories As A Dataset<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Another of the exhibition\u2019s commissioned works relates to its venue\u2014the former Dondorf printing factory\u2014and to the theme of AI and history, of material traces and latent archives. <strong>Ania Szczepa\u0144ska\u2019s<\/strong> film \u201cReinscribing the Dondorf\u201d (2026) explores the history and memory of the Jewish Dondorf family, the founders of the Dondorf printing factory, while also reflecting on the implications of using AI in the context of historical and archival research.<br><br>In the next section, <strong>Jacques Perconte\u2019s<\/strong> video installation \u201cBetter Mont Blanc\u201d (2024) addresses the visual effects and theoretical questions raised by using generative AI models to compress or upscale digital images. While reducing an image\u2019s resolution results in the loss of information, upscaling algorithms do not restore missing pixels but instead create new ones that are statistically plausible based on learned patterns. \u201cBetter Mont Blanc\u201d uses original footage of places such as Mont Blanc or the Port of Rotterdam\u2014locations undergoing significant changes due to climate change or the growing trade of goods\u2014and highlights the differences between the richness of sensory experiences and the statistical approach of AI-generated images.<br><br>In the space next, <strong>Gr\u00e9gory Chatonsky<\/strong> explores a new kind of memory produced by generative AI models, which assemble potential alternative content from the vast amounts of human memories that have been stored digitally, thereby creating multiple iterations of a narrative. The multimedia installation \u201cThe Fourth Memory\u201d (2025) takes the form of a grave on an uninhabited earth, where various versions of the artist are brought back to life by a machine, continually being resurrected as if in a dream.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 50369,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-300x300.jpg\",\"width\":300,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20968},\"large\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-1024x1024.jpg\",\"width\":1024,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":189985},\"medium_large\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-768x768.jpg\",\"width\":768,\"height\":768,\"mime-type\":\"image\\\/jpeg\",\"filesize\":110327},\"1536x1536\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-1536x1536.jpg\",\"width\":1536,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":426292},\"2048x2048\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-2048x2048.jpg\",\"width\":2048,\"height\":2048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":785702},\"small\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-440x440.jpg\",\"width\":440,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":40351},\"semi\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-580x580.jpg\",\"width\":580,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":66662},\"mobile\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-720x720.jpg\",\"width\":720,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":97913},\"hd\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-1280x1280.jpg\",\"width\":1280,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":294079},\"full\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-1920x1920.jpg\",\"width\":1920,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":687573},\"xxl\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky-4048x4048.jpg\",\"width\":4048,\"height\":4048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":3226566},\"original\":{\"file\":\"Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\\u00a9-Gregory-Chatonsky.jpg\",\"width\":8640,\"height\":8640}},\n\"alt\" : \"A young man sits underwater, surrounded by greenish light and silhouetted diving equipment.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:100%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-1920x1920.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-1920x1920.jpg 1920w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-300x300.jpg 300w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-1024x1024.jpg 1024w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-150x150.jpg 150w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-768x768.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-1536x1536.jpg 1536w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-2048x2048.jpg 2048w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-440x440.jpg 440w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-580x580.jpg 580w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-720x720.jpg 720w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn-Presse_WTAI_Gregory-Chatonsky_La-Quatrieme-Memoire_2025_\u00a9-Gregory-Chatonsky-1280x1280.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"A young man sits underwater, surrounded by greenish light and silhouetted diving equipment.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Gr\u00e9gory Chatonsky, The Fourth Memory, 2025, installation, generative film, 3D prints, digital prints, robot, aluminum, stones<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Gr\u00e9gory Chatonsky<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Between Utopian Hopes and Dystopias<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>In the final room, the exhibition brings together video works dedicated to visions and ruins, hopes and fears emerging from our contemporary AI culture. <strong>In\u00e8s Sieulle\u2019s<\/strong> \u201cThe Oasis I Deserve\u201d (2024) explores the relationships between human users and Replika, the controversial dialogue-based chatbot released in 2017, which oscillates between being a confidant, an oracle, and an object of desire. <strong>Gwenola Wagon\u2019s<\/strong> \u201cChronicles of the Dark Sun\u201d (2023), composed of images generated or transformed by the model Gen-2, is based on a text by Pierre Cassou-Nogu\u00e8s and inspired by Chris Marker\u2019s \u201cLa Jet\u00e9e\u201d (1962). It envisions a post-apocalyptic future in which humans attempt to reconstruct a lost world with the help of AI.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 50355,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-300x169.jpg\",\"width\":300,\"height\":169,\"mime-type\":\"image\\\/jpeg\",\"filesize\":19476},\"large\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-1024x576.jpg\",\"width\":1024,\"height\":576,\"mime-type\":\"image\\\/jpeg\",\"filesize\":148412},\"medium_large\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-768x432.jpg\",\"width\":768,\"height\":432,\"mime-type\":\"image\\\/jpeg\",\"filesize\":87807},\"1536x1536\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-1536x864.jpg\",\"width\":1536,\"height\":864,\"mime-type\":\"image\\\/jpeg\",\"filesize\":319706},\"2048x2048\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-2048x1152.jpg\",\"width\":2048,\"height\":1152,\"mime-type\":\"image\\\/jpeg\",\"filesize\":556665},\"small\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-440x248.jpg\",\"width\":440,\"height\":248,\"mime-type\":\"image\\\/jpeg\",\"filesize\":34736},\"semi\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-580x326.jpg\",\"width\":580,\"height\":326,\"mime-type\":\"image\\\/jpeg\",\"filesize\":54947},\"mobile\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-720x405.jpg\",\"width\":720,\"height\":405,\"mime-type\":\"image\\\/jpeg\",\"filesize\":79696},\"hd\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-1280x720.jpg\",\"width\":1280,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":225996},\"full\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-1920x1080.jpg\",\"width\":1920,\"height\":1080,\"mime-type\":\"image\\\/jpeg\",\"filesize\":507756},\"xxl\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle-4048x2277.jpg\",\"width\":4048,\"height\":2277,\"mime-type\":\"image\\\/jpeg\",\"filesize\":2026197},\"original\":{\"file\":\"Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\\u00a9-Ines-Sieulle.jpg\",\"width\":5760,\"height\":3240}},\n\"alt\" : \"A person sits relaxed on a bed, surrounded by blue pillows and blankets.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.25%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-1920x1080.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-1920x1080.jpg 1920w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-300x169.jpg 300w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-1024x576.jpg 1024w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-768x432.jpg 768w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-1536x864.jpg 1536w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-2048x1152.jpg 2048w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-440x248.jpg 440w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-580x326.jpg 580w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-720x405.jpg 720w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/04\/Schirn_Presse_WTAI_Ines-Sieulle_The-Oasis_Deserve_2024_\u00a9-Ines-Sieulle-1280x720.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"A person sits relaxed on a bed, surrounded by blue pillows and blankets.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">In\u00e8s Sieulle, The Oasis I Deserve, 2024, video, images generated by GANs, color, sound, 22 min.\n<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 In\u00e8s Sieulle<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Exhibition organized by Jeu de Paume, Paris, in collaboration with SCHIRN.<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'><strong>Artists in the Exhibition<\/strong><br>Nora Al-Badri, Nouf Aljowaysir, Timo Arnall, \u00c9rik Bullot, Julian Charri\u00e8re, Gr\u00e9gory Chatonsky, Kate Crawford &amp; Vladan Joler, Harun Farocki, Daniel Felstead &amp; Jenn Leung, Joan Fontcuberta, Adam Harvey, Holly Herndon &amp; Mat Dryhurst, Andrea Kh\u00f4ra, Agnieszka Kurant, Occitane Lacurie &amp; Barnab\u00e9 Sauvage, George Legrady, Meta Office, Marina Otero Verzier with LOCUMENT (Francisco Lobo &amp; Romea Mury\u0144), Trevor Paglen, Jacques Perconte, Julien Pr\u00e9vieux, In\u00e8s Sieulle, Hito Steyerl, Sasha Stiles, Ania Szczepa\u0144ska, Taller Estampa, Clemens von Wedemeyer, Gwenola Wagon<br><br><br><br><strong>Exhibition organized by Jeu de Paume, Paris, in collaboration with SCHIRN.<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-copy' data-pattern='ho\/teaser-angebot-lane-3er-option-headline-text'>\n\n<div class=\"wp-block-ho-div\">\n\n<div  class='container-fluid'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6'>\n\n<div  class='ho-pattern-optional-headline'>\n\n<div  class='margin-bottom-4'>\n<h3 class='ho-sd-h3' style=\"white-space: normal;\">Highlights from the accompanying program<\/h3>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 col-md-6'>\n\n<div  class='ho-pattern-optional-text'>\n\n<div  class='margin-bottom-4'>\t<p class='ho-sd-body'>Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. 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: \"An angel with yellow hair in braided pigtails sits thoughtfully with a phone in hand, surrounded by clouds.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/04\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:120%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"teaser-offer-label\"><div class=\"ho-tag-group colors-are-inverted\"><div class=\"ho-tag is-secondary is-large is-bold\"><span class=\"ho-tag-label\">Free entry<\/span><\/div><\/div><\/div><\/div>\n\n\n<div class=\"wp-block-ho-slot bockenheim-indicator\"><\/div>\n<\/div>\n<div class=\"wp-block-ho-slot \"><\/div>\n\n\n<div  class='margin-bottom-3 padding-top-3'><h3 class=\"ho-sd-teaser-headline-medium\">Opening The World Through AI<\/h3><\/div>\n\n\n<div  class='margin-bottom-3'><div class=\"ho-sd-teaser-copy-small\">With live music by Halva<\/div><\/div>\n\n\n<div  class='margin-bottom-3'><div class=\"wp-block-ho-slot \"><div class=\"teaser-taxonomy\"><p class=\"ho-sd-metadata\">Opening<\/p><p class=\"ho-sd-metadata\" style=\"color:#f2ad3e;\">The World Through AI<\/p><\/div><\/div>\n<\/div>\n<\/a><\/li>\n\n\n<li class=\"wp-block-ho-lane-item col margin-bottom-5 col-md-4 col-xs-10 image-border-radius-small\"><a href=\"https:\/\/www.schirn.de\/en\/event\/ai-politics-slop-and-slopaganda-symposium-en\/\" class=\"wp-block-ho-teaser teaser teaser-offer \">\n\t\n\n<div  class='margin-bottom-3'><div class=\"wp-block-ho-post-image \"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_6a38d2a0cb718\">\n<script type=\"application\/json\">{\n\"id\" : 50379,\n\"sizes\" : 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