{"id":49673,"date":"2019-10-30T12:03:00","date_gmt":"2019-10-30T11:03:00","guid":{"rendered":"https:\/\/www.schirn.de\/?post_type=magazin-artikel&#038;p=49673"},"modified":"2026-07-02T15:16:24","modified_gmt":"2026-07-02T13:16:24","slug":"10-highlights-for-a-perfect-weekend-in-brussels","status":"publish","type":"magazin-artikel","link":"https:\/\/www.schirn.de\/en\/schirnmag\/10-highlights-for-a-perfect-weekend-in-brussels\/","title":{"rendered":"10 highlights for a perfect weekend in Brussels"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-magazin-landscape'>\n\n<div  class='div'>\n\n<div  class='container-fluid sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4 text-align-center'  data-motion-text=\"{&quot;child&quot;:&quot;.ho-sd-mag-h2&quot;,&quot;force&quot;:true,&quot;delay&quot;:0,&quot;speed&quot;:0.9,&quot;ease&quot;:&quot;expo.out&quot;}\">\n<h1 class='ho-sd-mag-h2' style=\"white-space: normal;\">10 SCHIRN Tipps in Br\u00fcssel<\/h1>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='container-fluid mobile-margin-bottom-3 sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-md-4 col-md-offset-4 col-xs-offset-2 col-xs-8'>\n\n<div  class='margin-bottom-7'  data-motion-text=\"{&quot;child&quot;:&quot;.lazy-media-inline&quot;,&quot;force&quot;:true,&quot;delay&quot;:0.3,&quot;speed&quot;:0.9,&quot;ease&quot;:&quot;expo.out&quot;}\">\n<div class=\"wp-block wp-block-ho-flash \" style=\"\">\n\n\t\t\t\t\t\t\t\t<div class=\"flash-animation-data\" data-animations='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-5\",\"end\":\"5\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]' data-target=\".lazy-media-contents\" data-animationsmobile='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-5\",\"end\":\"5\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]'>\n\t\t\t\t\t<flash-animation inline-template>\n\t\t\t\t\t\t<div class=\"flash-animation\" :class=\"classes\" ref=\"layer\">\n\t\t\t\t\t\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_Q7Q1bn\">\n<script type=\"application\/json\">{\n\"id\" : 55764,\n\"sizes\" : {\"medium\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-225x300.jpg\",\"width\":225,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":36073},\"large\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-768x1024.jpg\",\"width\":768,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":317747},\"medium_large\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-768x1024.jpg\",\"width\":768,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":317747},\"1536x1536\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-1152x1536.jpg\",\"width\":1152,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":610901},\"small\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-330x440.jpg\",\"width\":330,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":71627},\"semi\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-435x580.jpg\",\"width\":435,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":119026},\"mobile\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-540x720.jpg\",\"width\":540,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":173199},\"hd\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash-960x1280.jpg\",\"width\":960,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":458405},\"original\":{\"file\":\"web_adrian-santalla-YlDS5JnAsPc-unsplash.jpg\",\"width\":1346,\"height\":1795}},\n\"alt\" : \"Graffiti-Kunst an einer Hauswand in einer schmalen, gepflasterten Stra\\u00dfe mit traditionellen Geb\\u00e4uden.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:67%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"image_copyright_only\" id=\"media_Q7Q1bn\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Foto: Adri\u00e1n Santalla <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/flash-animation>\n\t\t\t\t<\/div>\n\t\t\t\t\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-4 col-md-offset-8 margin-bottom-5'><section class='wp-block-ho-pattern ' data-pattern='ho\/magazin-header-eigenschaften'>\n\n<div  class='magazine-header-props text-align-right'>\n\n<div  class='container-fluid cf-rem-max-width cf-side-1 cf-gutter-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'><div class=\"wp-block-ho-slot \"><p>10\/30\/2019<\/p><\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='margin-bottom-3'>\n\n<div  class='flex-align-center-right'>\n<div class=\"wp-block-ho-slot \"><p>5 min reading time<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"container-fluid cf-rem-max-width cf-side-1 cf-gutter-1\"><div class=\"row\"><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"components-image-text-person-image-small-group flex-align-top-right\"><div class=\"col col-xs-12\"><div class=\"components-image-text-persons-line\"><span class=\"ho-sd-body\">Writer:<\/span><a href=\"https:\/\/www.schirn.de\/en\/beteiligte\/katharina-cichosch-en\/\" class=\"components-image-text-person-image-small\"><div class=\"components-image-text-person-image-small-text ho-sd-body\">Katharina Cichosch<\/div><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-tertiary\"><a href=\"https:\/\/www.schirn.de\/en\/hauptkategorie\/schirn-tipp-en\/\" class=\"ho-tag-label\">SCHIRN Tipp<\/a><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/photography-film\/\" class=\"ho-tag-label\">Photography &amp; Film<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 last-xs col-md-8'>\t<p class='ho-sd-h4'>Belgische Waffeln, Starkbier und Moules et frites? Die gibt es in Br\u00fcssel an jeder Ecke, doch auch f\u00fcr zeitgen\u00f6ssische Kunst ist die Stadt ein Hotspot. Unsere 10 Highlights f\u00fcr das perfekte Wochenende.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>1<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Ars Musica<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Eines der gr\u00f6\u00dften Festivals f\u00fcr zeitgen\u00f6ssische Musik und Komposition ist seit 30 Jahren in Br\u00fcssel zu Hause: In diesem Jahr wird <a href=\"https:\/\/www.arsmusica.be\/\">Ars Musica<\/a> 30 Jahre alt. Auf dem Programm stehen gro\u00dfe Orchesterauff\u00fchrungen von Debussys \u201eLa Mer\u201c, Filmscreenings mit symphonischer Live-Begleitung, die Streichquartette von Avantgarde-Komponist Philip Glass und Solokonzerte, jeweils in unterschiedlichsten Settings von der Philharmonie bis hin zur Off-Location.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.arsmusica.be\/themes\/custom\/arsmusica\/assets\/images\/hero\/arsmusica.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Ars Muscia<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.arsmusica.be\/\">arsmusica.be\/<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>2<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">\u201esorted, resorted\u201c, Gabriel Kuri im WIELS<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>2016 bereicherte der mexikanische K\u00fcnstler die <a href=\"https:\/\/www.schirn.de\/ausstellung\/ich-2016\/\">ICH-Ausstellung<\/a> in der SCHIRN mit seinen fragil konstruierten Arbeiten aus Alltagsmaterialien. Im Br\u00fcsseler Kulturzentrum <a href=\"https:\/\/wiels.org\/en\">WIELS<\/a> ist Gabriel Kuri jetzt mit einer gro\u00dfen Einzelschau zu sehen, in der er Gefundenes und Gesammeltes neu ordnet, sortiert und arrangiert. Die bereits in Frankfurt verwendete Meeresschnecke trifft hier beispielsweise auf metallene Briefk\u00e4sten und Papierhandtuchhalter, und auch eine gro\u00dffl\u00e4chige Sandlandschaft wird zu sehen sein.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/artishockrevista.com\/wp-content\/uploads\/2019\/12\/2019-GK-WIELS-2F_01.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Gabriel Kuri, installation view \u201esorted, resorted\u201c, 2019, WIELS<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/artishockrevista.com\/2019\/12\/10\/gabriel-kuri-sorted-resorted\/\">artishockrevista.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>3<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">PhotoBrussels Festival im Hangar Art Center <\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Andernorts werden kollektive Gef\u00fchlszust\u00e4nde zum Thema erhoben, in Br\u00fcssel setzt man eine Bildgattung als Oberthema: In seiner vierten Ausgabe widmet sich <a href=\"https:\/\/www.photobrusselsfestival.com\/\">PhotoBrussels<\/a> dem Stillleben, das nat\u00fcrlich niemals ganz weg war, aber in der zeitgen\u00f6ssischen Fotografie doch aktuell eine kleine Renaissance erlebt. Rund 100 bis 200 Arbeiten von knapp zwei Dutzend K\u00fcnstlerinnen und K\u00fcnstlern werden ausgestellt, von den \u00fcber-kitschigen Pop-Art-Versionen barocker Tafelstillleben Dan Banninos bis zu den monochrom minimalistischen Arbeiten von Giljung Yoon. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 49670,\n\"sizes\" : {\"medium\":{\"file\":\"DanBanninoJesusChrist2019-228x300.jpg\",\"width\":228,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":38452},\"small\":{\"file\":\"DanBanninoJesusChrist2019-334x440.jpg\",\"width\":334,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":69900},\"semi\":{\"file\":\"DanBanninoJesusChrist2019-440x580.jpg\",\"width\":440,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":106782},\"mobile\":{\"file\":\"DanBanninoJesusChrist2019-546x720.jpg\",\"width\":546,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":146708},\"original\":{\"file\":\"DanBanninoJesusChrist2019.jpg\",\"width\":750,\"height\":989}},\n\"alt\" : \"Stillleben mit Obst, einem Sch\\u00e4del, antiken Gef\\u00e4\\u00dfen und Textilien, erg\\u00e4nzt durch gr\\u00fcnen Samt und Pflanzen.\",\n\"path\" : \"https:\\\/\\\/schirn.b-cdn.net\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:131.86666666667%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/03\/DanBanninoJesusChrist2019.jpg\" srcset=\"https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/03\/DanBanninoJesusChrist2019.jpg 750w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/03\/DanBanninoJesusChrist2019-228x300.jpg 228w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/03\/DanBanninoJesusChrist2019-334x440.jpg 334w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/03\/DanBanninoJesusChrist2019-440x580.jpg 440w, https:\/\/schirn.b-cdn.net\/wp-content\/uploads\/2026\/03\/DanBanninoJesusChrist2019-546x720.jpg 546w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"Stillleben mit Obst, einem Sch\u00e4del, antiken Gef\u00e4\u00dfen und Textilien, erg\u00e4nzt durch gr\u00fcnen Samt und Pflanzen.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Dan Bannino, Neon Vanitas &#8211; Jesus Christ, 2019<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Dan Bannino<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>4<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">PUNK GRAPHICS im ADAM<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Wie idiomatisch Grafik und Subkultur im Punk miteinander verwoben waren, soll diese <a href=\"http:\/\/www.adamuseum.org\/home-museum-en.html\">Ausstellung<\/a> zeigen: Unz\u00e4hlige Flyer, Poster, DIY-Plattencover und andere visuelle Artefakte einer privaten New Yorker Sammlung werden hier erstmalig in Europa ausgestellt. \u00dcber das amerikanische Pendant hat sich \u201eSex Pistols\u201c-Mitbegr\u00fcnder John Lydon standesgem\u00e4\u00df schon lustig gemacht, schlie\u00dflich: \u201eWir hatten keine Zeit, uns \u00fcber Punk-Theorie Gedanken zu machen. Wir brauchten 20 Pfund f\u00fcr den n\u00e4chsten Gig\u201c und: \u201eIch habe wirklich keine Ahnung, was sie als \u201aPunk-Art\u2018 bezeichnen.\u201c Gekommen ist er dann trotzdem.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/designmuseum.brussels\/wp-content\/uploads\/2024\/01\/ADAM-MUSEUM-Vincent-Everarts-004-1-1536x1024.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Installation view \u201ePUNK GRAPHICS: Too Fast to Live, Too Young to Die\u201c, 2019\u20132020, Design Museum Brussels<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/designmuseum.brussels\/en\/punk-graphics-too-fast-to-live-too-young-to-die\/\">designmuseum.brussels<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>5<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">L\u2019Archiduc<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Andere St\u00e4dte m\u00f6gen sich mit Jugendstil schm\u00fccken, Br\u00fcssel hat den (Verzeihung) besseren Look: Art d\u00e9co. Das Jazz-Caf\u00e9 <a href=\"https:\/\/archiduc.com\/\">L\u2019Archiduc<\/a> beispielsweise empf\u00e4ngt seine G\u00e4ste seit 1937, nahezu ununterbrochen, wovon auch die durchgesessenen, nur noch blass gef\u00e4rbten Polster auf den Sitzen zeugen. Urspr\u00fcnglich als eine Art diskretes Speakeasy von Madame Alice ins Leben gerufen, zog in den 1950er Jahren mit Stan Brenders der Jazz ein. 1985 \u00fcbernahmen die heutigen Besitzer, die neben Konzerten Burlesque-Shows und Tanzabende auf das Programm setzen.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/privateaser-media.s3.eu-west-1.amazonaws.com\/etab_photos\/46644\/1500x750\/355170.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">L\u2019Archiduc<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/privateaser-media.s3.eu-west-1.amazonaws.com\/etab_photos\/46644\/1500x750\/355170.jpg\">privateaser-media.s3.eu-west-1.amazonaws.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>6<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Studiobesuch im KOMPLOT <\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'><a href=\"https:\/\/kmplt.org\/\">KOMPLOT<\/a> versteht sich als nomadisches K\u00fcnstlernetzwerk, hat aber aktuell wieder an einem halbfesten Standort in Br\u00fcssel Quartier bezogen. Dort k\u00f6nnen Besucher zu ausgew\u00e4hlten Terminen zum Studiobesuch vorbeikommen und tempor\u00e4re Blitz-Ausstellungen anschauen. Im November werden Video- und Installationsk\u00fcnstler Benjamin Verhoeven sowie K\u00fcnstlerin und Kuratorin Merzedes Sturm-Lie, die sich mit der (De-)Konstruktion von Geschichte besch\u00e4ftigt, als Gastgeber aufwarten. Mehr Informationen gibt es folgerichtig nicht, denn: alles im Fluss, alles bis zur letzten Sekunde ver\u00e4nderbar.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/impro.usercontent.one\/appid\/oneComWsb\/domain\/benjaminverhoeven.com\/media\/benjaminverhoeven.com\/onewebmedia\/DSC00873(bewerkt)small.jpg?etag=%221ca80a-615d4bef%22&#038;sourceContentType=image%2Fjpeg&#038;ignoreAspectRatio&#038;resize=1600%2B900&#038;quality=85\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Installation view \u201eBenjamin Verhoeven &amp; Susannah Stark\u201c, 2019, KOMPLOT<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/benjaminverhoeven.com\/\">benjaminverhoeven.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>7<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">EU Mies Award im BOZAR<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Der <a href=\"https:\/\/eumiesawards.com\/\">EU Mies Award<\/a> ist der Architekturpreis der Europ\u00e4ischen Union f\u00fcr zeitgen\u00f6ssische Architektur. Benannt nach Mies van der Rohe, soll er \u201eExzellenz in Hinsicht auf konzeptuelle, soziale, kulturelle, technische und konstruktive\u201c Aspekte auszeichnen und anerkennen. Die Ergebnisse der diesj\u00e4hrigen Ausschreibung umfassen sechs Bauprojekte, darunter die Neugestaltung des Skanderbeg-Platz im albanischen Tirana, das brutalistisch angehauchte Terrassenhaus Berlin und den Preistr\u00e4ger, die architektonische Transformation einer gigantischen Wohneinheit aus den 60er Jahren im Grand Parc Bordeaux.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.lacatonvassal.com\/data\/images\/full\/20181213-144419-z108.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Lacaton &amp; Vassal, Umbau von 530 Wohnungen, Stadtteil Grand Parc<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.lacatonvassal.com\/index.php?idp=80\">lacatonvassal.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>8<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Le Troglox\u00e8ne bei Deborah Bowmann <\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Radikalverwertung vom Boden bis zur Decke: Beim Galeriekollektiv von <a href=\"https:\/\/www.deborahbowmann.com\/\">Deborah Bowmann<\/a> ist alles k\u00e4uflich \u2013 einschlie\u00dflich des jeweiligen Ausstellungsdesigns, das mit jeder Schau komplett neu aufgezogen wird. Aktuell wird mit rumpelig eingefassten Terrakottafliesen und schummrig hinterleuchteter Zwischendecke eine h\u00f6hlenf\u00f6rmige Ausgrabungsst\u00e4tte rekonstruiert, aus deren Tiefen Arbeiten von  einer Gruppe internationaler zeitgen\u00f6ssischer K\u00fcnstler geborgen werden k\u00f6nnen. Die Werke von Thomas Ballouhey, Kevin Bray, Th\u00e9o Demans, Carolin Gieszner, Sarah Montet und Erwan Sene gleichen Korallen und tierischen H\u00f6hlenbewohnern und verwandeln die Ausstellungsfl\u00e4che in eine Mischung aus pal\u00e4ontologischer Rekonstruktion, B\u00fcrofl\u00e4chen, Ausgrabungsst\u00e4tte und paradoxer Architektur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/artviewer.org\/wp-content\/uploads\/2019\/09\/Le-Trogloxene-at-Deborah-Bowmann-Brussels-2.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Le Troglox\u00e8ne, Installation view Deborah Bowman<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/artviewer.org\/le-trogloxene-at-deborah-bowmann\/\">artviewer.org<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>9<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">\u201eGrotto\u201c, Nicolas Party bei Xavier Hufkens <\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'><a href=\"https:\/\/www.xavierhufkens.com\/artists\/nicolas-party\">Nicolas Party<\/a>s Bilder erwecken ein wenig den Eindruck, als seien sie von einer Art zeitgen\u00f6ssischem <a href=\"https:\/\/www.schirn.de\/ausstellung\/rene-magritte-2017\/\">Ren\u00e9 Margeritte<\/a> gemalt worden. Kegelf\u00f6rmige Baumkronen, die sich in den kulissenhaften Himmel erheben, Raben auf Kaffeekannen und manieristisch gefertigte Portraits erinnern nicht zuf\u00e4llig an den Meister des Surrealismus, der in dieser Stadt zu Hause war: Um alle Zweifel aus der Welt zu schaffen, widmet Party dem gleich ein eigenes Bild im Bild (\u201eMagritte parti\u201c, 2018), das hier ebenfalls zu sehen sein wird.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/xavierhufkens.imgix.net\/artworks\/part-004-2016.jpg?auto=format&#038;crop=focalpoint&#038;domain=xavierhufkens.imgix.net&#038;fit=clip&#038;w=500&#038;h=500&#038;q=82&#038;fm=pjpg&#038;fp-x=0.5&#038;fp-y=0.5&#038;ixlib=php-2.1.1\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Nicolas Partys, Still Life, 2016<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.xavierhufkens.com\/artists\/nicolas-party\">xavierhufkens.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>10<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Sean Landers bei Rodolphe Janssen <\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Auch der amerikanische K\u00fcnstler Sean Landers greift auf das malerische Mittel des Zitats zur\u00fcck und landete so in der Vergangenheit, neben anderen, immer wieder auch bei Magritte. Bei <a href=\"https:\/\/rodolphejanssen.com\/exhibitions\/sean-landers-2019\/#images\">Rodolphe Janssen<\/a> pr\u00e4sentiert der Maler nun eine ebenfalls beliebte k\u00fcnstlerische Praxis, die des Alter Egos: \u201ePlankboy\u201c. Kann das freundliche Holzbrett als Parabelwesen tiefere Einblicke erm\u00f6glichen in die verflixten Verstrickungen, die es bisweilen bedeutet, K\u00fcnstler zu sein?<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/rodolphejanssen.com\/wp-content\/uploads\/2023\/03\/sean-landers-07-11-2019-9-1920x1280.jpg.webp\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Sean Landers, Plankboy (Narcissus), 2019<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/rodolphejanssen.com\/exhibitions\/sean-landers-2019\/\">rodolphejanssen.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Belgium waffles, stout and moules frites? You can have it all in Brussels. And the city is a hotspot for contemporary art.<\/p>\n","protected":false},"featured_media":55765,"template":"","meta":{"_acf_changed":false,"ho_image_focal_point":"","footnotes":""},"ho_exhibition_taxonomy":[],"artist":[],"magazin_tag":[3685],"magazin_type":[3080],"involved":[1253],"class_list":["post-49673","magazin-artikel","type-magazin-artikel","status-publish","has-post-thumbnail","hentry","magazin_tag-photography-film","magazin_type-schirn-tipp-en","involved-katharina-cichosch-en"],"acf":{"seo_titel":"","seo_description":"","keywords":"","noindex":false,"redirect":"","relevancy":"0","post_type_label":false,"autoplay":""},"_links":{"self":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/49673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel"}],"about":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/types\/magazin-artikel"}],"version-history":[{"count":14,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/49673\/revisions"}],"predecessor-version":[{"id":55805,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/49673\/revisions\/55805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/media\/55765"}],"wp:attachment":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/media?parent=49673"}],"wp:term":[{"taxonomy":"ho_exhibition_taxonomy","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/ho_exhibition_taxonomy?post=49673"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/artist?post=49673"},{"taxonomy":"magazin_tag","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin_tag?post=49673"},{"taxonomy":"magazin_type","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin_type?post=49673"},{"taxonomy":"involved","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/involved?post=49673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}