{"id":49101,"date":"2022-09-02T17:13:00","date_gmt":"2022-09-02T15:13:00","guid":{"rendered":"https:\/\/www.schirn.de\/?post_type=magazin-artikel&#038;p=49101"},"modified":"2026-03-11T12:17:35","modified_gmt":"2026-03-11T11:17:35","slug":"and-it-was-all-yellow","status":"publish","type":"magazin-artikel","link":"https:\/\/www.schirn.de\/en\/schirnmag\/and-it-was-all-yellow\/","title":{"rendered":"And it was all yellow"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-magazin-artwork'>\n\n<div  class='header-magazine-artwork margin-bottom-3'>\n\n<div  class='header-magazine-artwork-bg-wrapper'>\n\n<div  class='header-magazine-artwork-bg-wrapper-contents'>\n\n<div  class='header-magazine-artwork-bg'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline  lazy-background-fill\" role=\"group\" aria-describedby=\"media_KO7nrn\">\n<script type=\"application\/json\">{\n\"id\" : 49099,\n\"sizes\" : 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: \"A man is looking at a round, colorful artwork with concentric circles on a white wall.\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:76.977744529643%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,\/9j\/4AAQSkZJRgABAQEAYABgAAD\/\/gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gOTAK\/9sAQwADAgIDAgIDAwMDBAMDBAUIBQUEBAUKBwcGCAwKDAwLCgsLDQ4SEA0OEQ4LCxAWEBETFBUVFQwPFxgWFBgSFBUU\/9sAQwEDBAQFBAUJBQUJFA0LDRQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQU\/8AAEQgAEgAYAwEiAAIRAQMRAf\/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC\/\/EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29\/j5+v\/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC\/\/EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29\/j5+v\/aAAwDAQACEQMRAD8A+0jerZ2u4degoXU5xbebu+WsF9Strq0KG4RW6jJ71nHU32+UJl2+m\/ivBxdSfOrXt0t3PSowjy67nRT+IbS6uVsi+LtozJsxxge9FcDN4g\/s\/wAZ21pJIjQSwFhKD0YdRRXo0ajcFz7nNOnZ+7sZNsSVHPanxng\/WiivnqnQ92Bi6woOpWjEDcAcHuKKKK6HsjLqz\/\/Z'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_KO7nrn\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Ugo Rondinone, pure sunshine, 2012<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Ugo Rondinone, Courtesy the artist and Galerie Eva Presenhuber, Zurich and New York; Photo: Norbert Miguletz <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='header-magazine-artwork-fg'>\n<div class=\"wp-block wp-block-ho-flash \" style=\"\">\n\n\t\t\t\t\t\t\t\t<div class=\"flash-animation-data\" data-animations='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]' data-target=\"\" data-animationsmobile='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]'>\n\t\t\t\t\t<flash-animation inline-template>\n\t\t\t\t\t\t<div class=\"flash-animation\" :class=\"classes\" ref=\"layer\">\n\t\t\t\t\t\t\t\n\n<div  class='flex-full-height flex-layout-align-space-evenly'>\n\n<div  class='container-fluid sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4 text-align-center color-fg-text-white'  data-motion-text=\"{&quot;child&quot;:&quot;.ho-sd-mag-h2&quot;,&quot;force&quot;:true,&quot;delay&quot;:0,&quot;speed&quot;:0.9,&quot;ease&quot;:&quot;expo.out&quot;}\">\n<h1 class='ho-sd-mag-h2' style=\"white-space: normal;\">And it was all yellow<\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/flash-animation>\n\t\t\t\t<\/div>\n\t\t\t\t\n<\/div>\n<\/div>\n<\/div>\n\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-4 col-md-offset-8 margin-bottom-5'><section class='wp-block-ho-pattern ' data-pattern='ho\/magazin-header-eigenschaften'>\n\n<div  class='magazine-header-props text-align-right'>\n\n<div  class='container-fluid cf-rem-max-width cf-side-1 cf-gutter-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'><div class=\"wp-block-ho-slot \"><p>09\/02\/2022<\/p><\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='margin-bottom-3'>\n\n<div  class='flex-align-center-right'>\n<div class=\"wp-block-ho-slot \"><p>8 min reading time<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"container-fluid cf-rem-max-width cf-side-1 cf-gutter-1\"><div class=\"row\"><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"components-image-text-person-image-small-group flex-align-top-right\"><div class=\"col col-xs-12\"><div class=\"components-image-text-persons-line\"><span class=\"ho-sd-body\">Writer:<\/span><a href=\"https:\/\/www.schirn.de\/en\/beteiligte\/elena-schmidt-en\/\" class=\"components-image-text-person-image-small\"><div class=\"components-image-text-person-image-small-text ho-sd-body\">Elena Schmidt<\/div><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"flex-align-top-right\"><a href=\"https:\/\/www.schirn.de\/en\/kuenstler\/ugo-rondinone-en\/\" class=\"components-image-text-person-image-small\"><div class=\"components-image-text-person-image-small-text ho-sd-body\">Ugo Rondinone<\/div><div class=\"components-image-text-person-image-small-image\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_69ea7f98cf854\"><script type=\"application\/json\">{\n\"id\" : 17898,\n\"sizes\" : 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div><div class=\"lazy-media loaded\"><img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-1920x1440.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-1920x1440.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-300x225.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-1024x768.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-768x576.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-1536x1152.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-2048x1536.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-440x330.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-580x435.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-720x540.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_presse_Portraet_Rondinone_Schirn-1280x960.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"\" loading=\"lazy\" \/><\/div><\/div><\/div><\/figure><\/div><\/a><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-tertiary\"><a href=\"https:\/\/www.schirn.de\/en\/hauptkategorie\/context-en\/\" class=\"ho-tag-label\">Context<\/a><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/art-history\/\" class=\"ho-tag-label\">Art History<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/contemporary-art\/\" class=\"ho-tag-label\">Contemporary Art<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/exhibition\/\" class=\"ho-tag-label\">Exhibition<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 last-xs col-md-8'>\t<p class='ho-sd-h4'>Sun, warmth, envy and joy. Also in art yellow is attributed to an incredible radiance of associations and interpretations. 10 art works in which the color plays a central role. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>With the lines \u201c&#8230;and it was all yellow,\u201d Chris Martin from Coldplay sings about the beautiful feeling of deep friendship and devotion. After all, yellow stands for sun, warmth, light, for an endless summer, and feelings of happiness, for the broadly grinning smiley. We associate the color with the glistening, direct sunlight, which is why pure yellow is attributed an incredible radiance and long-distance effect. The spectrum of individual associations and interpretations is as broad as the nuances of the color. This is also shown by the following 10 works in which yellow plays a central role.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>1<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Milton Avery<br \/>\n\u201cYellow Sky\u201d (1958)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Is a storm brewing? Or is it the setting sun that has colored the sky yellow? We don\u2019t know what spectacle of nature Milton Avery witnessed. What we do know for sure is that his work \u201cYellow Sky\u201d was inspired by sketches and water colors that he produced in the summers of the late 1950s in Provincetown, Cape Cod. On returning to his New York studio, he worked the scenes up into compositions which he then greatly reduced in form and color. \u201cYellow Sky\u201d depicts an abstract interpretation of the landscape in which the color yellow clearly dominates. The deep yellow strip in the upper half of the picture \u2013 the \u201cyellow sky\u201d in the title of the work \u2013 is complemented by a much larger expanse of yellow in the painting\u2019s lower section. The monochrome effect is broken up by dark gray rock formations and a light blue watercourse. For although much of Avery&#8217;s painting is reminiscent of the works of the abstract expressionists, the artist has ultimately never devoted himself to complete abstraction.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 49091,\n\"sizes\" : {\"medium\":{\"file\":\"T00575_10-300x252.jpg\",\"width\":300,\"height\":252,\"mime-type\":\"image\\\/jpeg\",\"filesize\":19054},\"large\":{\"file\":\"T00575_10-1024x860.jpg\",\"width\":1024,\"height\":860,\"mime-type\":\"image\\\/jpeg\",\"filesize\":157068},\"medium_large\":{\"file\":\"T00575_10-768x645.jpg\",\"width\":768,\"height\":645,\"mime-type\":\"image\\\/jpeg\",\"filesize\":97170},\"small\":{\"file\":\"T00575_10-440x370.jpg\",\"width\":440,\"height\":370,\"mime-type\":\"image\\\/jpeg\",\"filesize\":35876},\"semi\":{\"file\":\"T00575_10-580x487.jpg\",\"width\":580,\"height\":487,\"mime-type\":\"image\\\/jpeg\",\"filesize\":57342},\"mobile\":{\"file\":\"T00575_10-720x605.jpg\",\"width\":720,\"height\":605,\"mime-type\":\"image\\\/jpeg\",\"filesize\":83195},\"hd\":{\"file\":\"T00575_10-1280x1075.jpg\",\"width\":1280,\"height\":1075,\"mime-type\":\"image\\\/jpeg\",\"filesize\":229124},\"original\":{\"file\":\"T00575_10.jpg\",\"width\":1536,\"height\":1290}},\n\"alt\" : \"Abstract landscape with a yellow sky, dark mountains, and a bright sandy area in contact with water.\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:83.984375%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-300x252.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-1024x860.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-768x645.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-440x370.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-580x487.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-720x605.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/T00575_10-1280x1075.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"Abstract landscape with a yellow sky, dark mountains, and a bright sandy area in contact with water.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Milton Avery, Yellow Sky, 1958<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/i.pinimg.com\/736x\/c3\/f2\/51\/c3f2514fff7f3d2b11bde15f7285f4ed.jpg\">pinimg.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>2<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">James Casabere<br \/>\n\u201cBright Yellow House\u201d (2018)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>The \u201cBright Yellow House\u201d is part of the series \u201cOn the Water\u2019s Edge\u201d by American artist James Casabere. In the staged photographs he focuses on issues relating to climate change and impending environmental catastrophes. His scenes are both deeply ambiguous and politically biting: The images of uninhabited spaces and landscapes appear surreal and come across as deeply disturbing. Casabere&#8217;s hybrid architectural structures combine public space with private sanctuaries, which he locates on and in the water. In this series of images, the artist continues his ever-evolving research into shapes on the thin line dividing architecture, sculpture, and photography. The photographic tableaus he shoots in his studio testify to a mastery he has perfected over the past 40 years.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/59d7b151d7bdce112449ce3c\/1526074642808-FQXVYK7MBCIOZOGK98E2\/JC_bright-yellow-house_V10_LoRes.jpg?format=750w\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">James Casabere, Bright Yellow House, 2018<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.jamescasebere.com\/2018-\">jamescasebere.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>3<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Helen Frankenthaler<br \/>\n\u201cMornings\u201d (1971) <\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Rays of sunlight breaking through the gray morning light: This could be an apt description of the panting by Helen Frankenthaler. Three vertically running yellow color fields decrease in intensity towards the right and seem to blur. The areas are accentuated by individual strokes that appear to be randomly placed. In her work Frankenthaler repeatedly explores the relationship between drawing and painting. In the 1970s, the artist introduced more open drawing elements such as the thin lines described above that cut through the colored contours.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.frankenthalerfoundation.org\/images\/1971_Mornings_McKeever_Pub_Elderfield2024_RGB0.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Helen Frankenthaler, Mornings, 1971<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.frankenthalerfoundation.org\/images\/1971_Mornings_McKeever_Pub_Elderfield2024_RGB0.jpg\">frankenthalerfoundation.org<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>4<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Lubaina Himid<br \/>\n\u201cAnkleedeep\u201d (1991)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Two women stand ankle-deep behind cloth banners and tear up maps, scraps of which drift away. This is how Tanzanian-born British artist Lubaina Himid describes \u201cAnkledeep\u201d, a work from the series \u201cRevenge. A Masque in Five Tableaux.\u201d The series comprises 12 works that often depict pairs of black women in a range of scenarios. The nakedness of the two women in \u201cAnkledeep\u201d is partly covered by a black banner lending them a certain dignity. A golden yellow ribbon frames their heads. Though attentive they look calmly at something hidden from us to their left. Scraps of paper fall from the hand of the right figure and are borne aloft by the wind. These are fragments of a torn-up map, an action interpreted here as an act of revenge: The women shred and scatter the colonial maps of the past before setting off in search of new ways and garments. The historical narrative of migration and colonialism continually finds its way into Himid&#8217;s paintings, installations, works on paper, and woodcuts. The focus here is on the cultural status of black women.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.tate-images.com\/media\/t12885-Ankledeep.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Lubaina Himid, Ankleedeep, 1991<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.tate-images.com\/media\/t12885-Ankledeep.jpg\">tate-images.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>5<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Gary Hume<br \/>\n\u201cPoor Thing\u201d (1998)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>This picture impressively demonstrates that the color yellow does not only stand for the positive aspects of life. In the silkscreen \u201cPoor Thing\u201d we see the strangely deformed face of a person whose supposed plight is symbolically expressed by mismatched eyes and confirmed by the title. We do not know who this person is. It is an imaginary figure composed of different yellow color planes. The portrait is the sixth of ten silkscreen prints in the \u201cPortraits\u201d series by British artist Gary Hume and based on paintings that he created between 1994 and 1998.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/i.pinimg.com\/1200x\/86\/3b\/62\/863b6258fa1b7ae1b13826651e52fed0.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Gary Hume, Poor Thing, 1998<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/in.pinterest.com\/pin\/684054630917281157\/\">pinterest.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>6<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">James Turrell<br \/>\n\u201cPerfectly Clear (Ganzfeld)\u201d (1991)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>When you think of monumental worlds of color, one artist who simply cannot be ignored is James Turrell. The pioneer of the Light and Space Art movement creates immersive works that envelop the viewer in a cosmos of color and light. When standing, sitting or lying in the light installation, you are completely surrounded by the yellow atmosphere. A feeling of disorientation sets in, while at the same time you have the sensation of floating. And indeed, the installations are designed to eliminate depth perception and dissolve physical boundaries. James Turrell invites us to block out the outside world and to reflect on ourselves.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/news.artnet.com\/app\/news-upload\/2021\/02\/RS106877_8-lpr-1024x683.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">James Turrell, Perfectly Clear (Ganzfeld), 1991<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/news.artnet.com\/app\/news-upload\/2021\/02\/RS106877_8-lpr-1024x683.jpg\">artnet.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>7<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Hayv Kahraman<br \/>\n\u201cConcealed Weapon\u201d (2016)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Hayv Kahraman understands her own body as a form of language. For the artist, who fled from Iraq, the body became her medium in her search for a common denominator during her exile in Sweden, Italy and the United States. Women with pale skin and jet-black hair take center stage in her large-format paintings on linen panels. Her figures are reminiscent of Italian Renaissance paintings as well as Persian miniatures or Japanese illustrations. As such, she succeeds in bridging the gap between Eastern \u201cexoticism\u201d and Western concepts of beauty. The nude woman in \u201cConcealed Weapon\u201d holds a cloak, a stole in her hands made of an geometric Islamic pattern in yellow. Not only is Kahraman&#8217;s work directly intertwined with the history of the Iran-Iraq and Gulf wars, but also with the cultural memory of the diaspora.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/hayvkahraman.com\/wp-content\/uploads\/2017\/01\/HK16.007-Concealed-Weapon-lr.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Hayv Kahraman, Concealed Weapon, 2016<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/hayvkahraman.com\/wp-content\/uploads\/2017\/01\/HK16.007-Concealed-Weapon-lr.jpg\">hayvkahraman.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>8<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Leni Hoffmann<br \/>\n\u201cSansibar\u201d (2012)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>This is not a sentence that real art lovers like to hear. But in this case, one can perhaps forgive this clich\u00e9d question&#8230; Because at first glance, it really does look as if construction workers had forgotten the electric cables in the middle of the exhibition space after their work was done. However, if you take a closer look at \u201cZanzibar\u201d, you will notice that the loops lie surprisingly evenly on the floor. The two yellow cables seem to come out of the ceiling and lie in loops on the floor, not overlapping. Leni Hoffmann&#8217;s site-specific work is a \u201cspatial drawing\u201d with a specific underlying concept.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/live.staticflickr.com\/8088\/8497141171_36ecb22f81_z.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Leni Hoffmann, Sansibar, 2012<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/live.staticflickr.com\/8088\/8497141171_36ecb22f81_z.jpg\">staticflickr.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>9<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Joseph Beuys<br \/>\n\u201cCapri Batterie\u201d (1985)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>\u201cReplace after 1000 hours\u201d reads the inscription on the wooden box of the 1985 multiple \u201cCapri Battery\u201d by Joseph Beuys. The combination of light bulb and lemon shows nature as a source of energy. It is constantly changing and resembles a self-charging battery. At the same time, the multiple brutally shows us how fragile our ecosystem is today \u2013 and how limited natural resources are, so that we have to be all the more sparing with them. Beuys&#8217; understanding of art, which is characterized by a deeply felt connection to nature, is particularly evident in the \u201cCapri Battery\u201d Incidentally, the prototype of the work was created during one of the artist&#8217;s convalescent stays on Capri.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/media0.faz.net\/image\/w940\/b7d50de880b1\/w3000h2108x0y0\/201711\/1.5281407\/joseph-beuys-capri-batterie.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Joseph Beuys, Capri Battery, 1985<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/media0.faz.net\/image\/w940\/b7d50de880b1\/w3000h2108x0y0\/201711\/1.5281407\/joseph-beuys-capri-batterie.jpg\">faz.net<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline' data-pattern='ho\/text-magazin-listicle'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-3 text-align-right'>\n\n<div  class='mag-listicle-number'>\t<p class='ho-sd-mag-h4'>10<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-6 col-xs-12 padding-top-4'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-mag-h3' style=\"white-space: normal;\">Ugo Rondinone<br \/>\n\u201cpure sunshine\u201d (2012)<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>Pulsating, vibrating, oscillating: Ugo Rondinone&#8217;s eight suns cast a spell over the visitors. They illuminate the last room of the \u201cLIFE TIME\u201d exhibition at the SCHIRN and envelop it in radiant yellow. The circular canvases are sprayed with concentric yellow rings and their arrangement in the room is reminiscent of a solar composition. The bands of yellow, whose melting edges call to mind a heat haze, reflect a number of themes that Rondinone has explored throughout his creative career: day and night, light and darkness, yesterday and today.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 49099,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-300x231.jpg\",\"width\":300,\"height\":231,\"mime-type\":\"image\\\/jpeg\",\"filesize\":11439},\"large\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-1024x788.jpg\",\"width\":1024,\"height\":788,\"mime-type\":\"image\\\/jpeg\",\"filesize\":81157},\"medium_large\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-768x591.jpg\",\"width\":768,\"height\":591,\"mime-type\":\"image\\\/jpeg\",\"filesize\":49954},\"1536x1536\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-1536x1182.jpg\",\"width\":1536,\"height\":1182,\"mime-type\":\"image\\\/jpeg\",\"filesize\":164267},\"2048x2048\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-2048x1577.jpg\",\"width\":2048,\"height\":1577,\"mime-type\":\"image\\\/jpeg\",\"filesize\":275865},\"small\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-440x339.jpg\",\"width\":440,\"height\":339,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20885},\"semi\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-580x446.jpg\",\"width\":580,\"height\":446,\"mime-type\":\"image\\\/jpeg\",\"filesize\":31857},\"mobile\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-720x554.jpg\",\"width\":720,\"height\":554,\"mime-type\":\"image\\\/jpeg\",\"filesize\":45115},\"hd\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-1280x985.jpg\",\"width\":1280,\"height\":985,\"mime-type\":\"image\\\/jpeg\",\"filesize\":119170},\"full\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-1920x1478.jpg\",\"width\":1920,\"height\":1478,\"mime-type\":\"image\\\/jpeg\",\"filesize\":244782},\"xxl\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5-4048x3116.jpg\",\"width\":4048,\"height\":3116,\"mime-type\":\"image\\\/jpeg\",\"filesize\":919505},\"original\":{\"file\":\"Schirn_Presse_Rondinone_Ausstellungsansicht_5.jpg\",\"width\":5347,\"height\":4116}},\n\"alt\" : \"A man is looking at a round, colorful artwork with concentric circles on a white wall.\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:76.977744529643%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-1920x1478.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-1920x1478.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-300x231.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-1024x788.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-768x591.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-1536x1182.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-2048x1577.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-440x339.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-580x446.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-720x554.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2026\/03\/Schirn_Presse_Rondinone_Ausstellungsansicht_5-1280x985.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"A man is looking at a round, colorful artwork with concentric circles on a white wall.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Ugo Rondinone, pure sunshine, 2012<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Ugo Rondinone, Courtesy the artist and Galerie Eva Presenhuber, Zurich and New York; Photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline toggle-optional-button show-optional-button' data-pattern='ho\/text-magazin-exkurs-option-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row center-xs'>\n\n<div  class='col col-xs-12 col-md-7'>\n\n<div  class='mag-exkurs container-fluid padding-top-5 padding-bottom-5 cf-side-7 cf-gutter-1'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-mag-h5' style=\"white-space: normal;\">Ugo Rondinone. Life Time<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body-medium'>24 June \u2013 18 Septem\u00adber 2022<\/p>\n<\/div>\n\n\n\n\n<div  class='ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons wp-block-ho-buttons flex-layout-align-center mobile-flex-layout-align-center'>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.schirn.de\/en\/exhibition\/ugo-rondinone-2022-en\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary\">\n\t\t\t\t<span class=\"ho-button-label \">More Info<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"structure-content-color\" style=\"--content-color-foreground: var(--color-fg-text-black);--content-color-background: var(--color-highlight-highlight-02);color: var(--color-fg-text-black);background: var(--color-highlight-highlight-02);\">\n<div class='structure-content-color-content'><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Sun, warmth, envy and joy. Also in art yellow is attributed to an incredible radiance of associations and interpretations. 10 art works in which the color plays a central role. <\/p>\n","protected":false},"featured_media":49099,"template":"","meta":{"_acf_changed":false,"ho_image_focal_point":"","footnotes":""},"ho_exhibition_taxonomy":[3701],"artist":[3928],"magazin_tag":[1376,1384,1369],"magazin_type":[884],"involved":[1215],"class_list":["post-49101","magazin-artikel","type-magazin-artikel","status-publish","has-post-thumbnail","hentry","ho_exhibition_taxonomy-ugo-rondinone-en","artist-ugo-rondinone-en","magazin_tag-art-history","magazin_tag-contemporary-art","magazin_tag-exhibition","magazin_type-context-en","involved-elena-schmidt-en"],"acf":{"seo_titel":"","seo_description":"","keywords":"","noindex":false,"redirect":"","relevancy":false,"post_type_label":false,"autoplay":""},"_links":{"self":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/49101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel"}],"about":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/types\/magazin-artikel"}],"version-history":[{"count":5,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/49101\/revisions"}],"predecessor-version":[{"id":49149,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/49101\/revisions\/49149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/media\/49099"}],"wp:attachment":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/media?parent=49101"}],"wp:term":[{"taxonomy":"ho_exhibition_taxonomy","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/ho_exhibition_taxonomy?post=49101"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/artist?post=49101"},{"taxonomy":"magazin_tag","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin_tag?post=49101"},{"taxonomy":"magazin_type","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin_type?post=49101"},{"taxonomy":"involved","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/involved?post=49101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}