{"id":35722,"date":"2025-03-12T13:14:45","date_gmt":"2025-03-12T12:14:45","guid":{"rendered":"https:\/\/www.schirn.de\/schirnmag\/bald-in-der-schirn-body-and-building\/"},"modified":"2025-09-18T11:30:05","modified_gmt":"2025-09-18T09:30:05","slug":"bald-in-der-schirn-body-and-building","status":"publish","type":"magazin-artikel","link":"https:\/\/www.schirn.de\/en\/schirnmag\/bald-in-der-schirn-body-and-building\/","title":{"rendered":"Now at the SCHIRN: Body and Building"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-magazin-artwork'>\n\n<div  class='header-magazine-artwork margin-bottom-3'>\n\n<div  class='header-magazine-artwork-bg-wrapper'>\n\n<div  class='header-magazine-artwork-bg-wrapper-contents'>\n\n<div  class='header-magazine-artwork-bg'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline  lazy-background-fill\" role=\"group\" aria-describedby=\"media_KO7nrn\">\n<script type=\"application\/json\">{\n\"id\" : 34658,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-225x300.jpg\",\"width\":225,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20468},\"large\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-768x1024.jpg\",\"width\":768,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":132036},\"medium_large\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-768x1024.jpg\",\"width\":768,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":132036},\"1536x1536\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-1152x1536.jpg\",\"width\":1152,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":246773},\"2048x2048\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-1536x2048.jpg\",\"width\":1536,\"height\":2048,\"mime-type\":\"image\\\/jpeg\",\"filesize\":391112},\"small\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-330x440.jpg\",\"width\":330,\"height\":440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":36371},\"semi\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-435x580.jpg\",\"width\":435,\"height\":580,\"mime-type\":\"image\\\/jpeg\",\"filesize\":56249},\"mobile\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-540x720.jpg\",\"width\":540,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":77208},\"hd\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-960x1280.jpg\",\"width\":960,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":185772},\"full\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022-1440x1920.jpg\",\"width\":1440,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":351282},\"original\":{\"file\":\"Schirn_Presse_Astrit_Ismaili_LYNX_2022.jpg\",\"width\":2967,\"height\":3956}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:133.33333333333%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_KO7nrn\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Astrit Ismaili, Premiere performance of LYNX, 2022, Performance, 20-30 min.<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 the artist, Photo: Misha De Ridder <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='header-magazine-artwork-fg'>\n<div class=\"wp-block wp-block-ho-flash \" style=\"\">\n\n\t\t\t\t\t\t\t\t<div class=\"flash-animation-data\" data-animations='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]' data-target=\"\" data-animationsmobile='[{\"id\":\"full\",\"name\":\"Full\",\"types\":[{\"name\":\"y\",\"start\":\"-8\",\"end\":\"50\"}]},{\"id\":\"in\",\"name\":\"In\",\"types\":[]},{\"id\":\"out\",\"name\":\"Out\",\"types\":[]}]'>\n\t\t\t\t\t<flash-animation inline-template>\n\t\t\t\t\t\t<div class=\"flash-animation\" :class=\"classes\" ref=\"layer\">\n\t\t\t\t\t\t\t\n\n<div  class='flex-full-height flex-layout-align-space-evenly'>\n\n<div  class='container-fluid sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4 text-align-center color-fg-text-white'  data-motion-text=\"{&quot;child&quot;:&quot;.ho-sd-mag-h2&quot;,&quot;force&quot;:true,&quot;delay&quot;:0,&quot;speed&quot;:0.9,&quot;ease&quot;:&quot;expo.out&quot;}\">\n<h1 class='ho-sd-mag-h2' style=\"white-space: normal;\">Soon at the SCHIRN:<br \/>\nBody and Building<\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/flash-animation>\n\t\t\t\t<\/div>\n\t\t\t\t\n<\/div>\n<\/div>\n<\/div>\n\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-4 col-md-offset-8 margin-bottom-5'><section class='wp-block-ho-pattern ' data-pattern='ho\/magazin-header-eigenschaften'>\n\n<div  class='magazine-header-props text-align-right'>\n\n<div  class='container-fluid cf-rem-max-width cf-side-1 cf-gutter-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'><div class=\"wp-block-ho-slot \"><p>03\/12\/2025<\/p><\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='margin-bottom-3'>\n\n<div  class='flex-align-center-right'>\n<div class=\"wp-block-ho-slot \"><p>12 min reading time<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"container-fluid cf-rem-max-width cf-side-1 cf-gutter-1\"><div class=\"row\"><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"components-image-text-person-image-small-group flex-align-top-right\"><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-tertiary\"><a href=\"https:\/\/www.schirn.de\/en\/hauptkategorie\/context-en\/\" class=\"ho-tag-label\">Context<\/a><\/div><div class=\"ho-tag is-tertiary\" style=\"background-color:#ca4267;\"><a href=\"https:\/\/www.schirn.de\/en\/ho_ausstellung\/body-and-building-en\/\" class=\"ho-tag-label\">Body and Building<\/a><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/architecture-design\/\" class=\"ho-tag-label\">Architecture &amp; Design<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/exhibition\/\" class=\"ho-tag-label\">Exhibition<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/performance-en\/\" class=\"ho-tag-label\">Performance<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 last-xs col-md-8'>\t<p class='ho-sd-h4'>From March 28 to 30, 2025 live at the SCHIRN: A weekend with highlights of international performance art. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'><br>During the weekend of March 28\u201330, 2025, the SCHIRN becomes a stage for performance art with the exhibition \u201cBody and Building: 2 Evenings, 2 Days (of Performances)\u201d. The exhibition title is a reference to the first institutional exhibition of performance art, \u201cPerformances: 4 Evenings, 4 Days,\u201d presented at the Whitney Museum of American Art in 1976. A symposium titled \u201cArticulate Muscle: The Male Body in Art\u201d was held concurrently to that exhibition, which informed the theme with its emphasis on the body.<br><br>As a live art form, performance in the late 1950s and early 1960s challenged the separation of art and life, as well as artist and spectator. In the twenty-first century, it has reached a new peak with its active involvement of the audience, its exploration of new notions of authenticity, and its artistic incorporation of the medium of film or social media during its presentation. No less significant for performance is the space that it is at once devised for and realized in as a work of art. <\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">A dialog between architecture, body and art<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>The performative exhibition \u201cBody and Building: 2 Evenings, 2 Days (of Performances)\u201d is a physical appropriation of the SCHIRN. The windows of the empty gallery, which are usually shut, will be opened, and the space will be animated, structured, confronted, and correlated through live performances. This creates a dialogue between art and architecture that examines the human body and the spatial presence that surrounds it. The performers directly confront the SCHIRN&#8217;s building: the movement of their bodies engages with and explores the architecture, thereby speaking to the power or strength of a space and of the possibilities of experiencing it, perceiving it, and forming new spatial bodies within it. The exhibition presents fourteen live performances and a section with ten video works.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 35355,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-300x216.jpg\",\"width\":300,\"height\":216,\"mime-type\":\"image\\\/jpeg\",\"filesize\":16506},\"large\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-1024x738.jpg\",\"width\":1024,\"height\":738,\"mime-type\":\"image\\\/jpeg\",\"filesize\":143175},\"medium_large\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-768x553.jpg\",\"width\":768,\"height\":553,\"mime-type\":\"image\\\/jpeg\",\"filesize\":81978},\"1536x1536\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-1536x1106.jpg\",\"width\":1536,\"height\":1106,\"mime-type\":\"image\\\/jpeg\",\"filesize\":340876},\"2048x2048\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-2048x1475.jpg\",\"width\":2048,\"height\":1475,\"mime-type\":\"image\\\/jpeg\",\"filesize\":662860},\"small\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-440x317.jpg\",\"width\":440,\"height\":317,\"mime-type\":\"image\\\/jpeg\",\"filesize\":30621},\"semi\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-580x418.jpg\",\"width\":580,\"height\":418,\"mime-type\":\"image\\\/jpeg\",\"filesize\":49301},\"mobile\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-720x519.jpg\",\"width\":720,\"height\":519,\"mime-type\":\"image\\\/jpeg\",\"filesize\":72573},\"hd\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-1280x922.jpg\",\"width\":1280,\"height\":922,\"mime-type\":\"image\\\/jpeg\",\"filesize\":227528},\"full\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-1920x1383.jpg\",\"width\":1920,\"height\":1383,\"mime-type\":\"image\\\/jpeg\",\"filesize\":569841},\"xxl\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost-4048x2916.jpg\",\"width\":4048,\"height\":2916,\"mime-type\":\"image\\\/jpeg\",\"filesize\":2744558},\"original\":{\"file\":\"Schirn_Presse_Schirn_Galerie_Ost.jpg\",\"width\":4724,\"height\":3403}},\n\"alt\" : \"Modern, minimalist gallery with wooden floors and large windows that let in natural light.\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:72.036409822185%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-1920x1383.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-1920x1383.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-300x216.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-1024x738.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-768x553.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-1536x1106.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-2048x1475.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-440x317.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-580x418.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-720x519.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/03\/Schirn_Presse_Schirn_Galerie_Ost-1280x922.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"Modern, minimalist gallery with wooden floors and large windows that let in natural light.\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">SCHIRN gallery East <\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: SCHIRN Kunsthalle Frankfurt<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/text-magazin-zitat'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row center-xs'>\n\n<div  class='col col-xs-12 col-md-10 col-md-offset-1'>\n<h4 class='ho-sd-mag-h3 mag-quote-title' style=\"white-space: normal;\">\u201cIn contemporary art, performance has had a more radical development in recent years than almost all other artistic forms of expression.\u201d<\/h4>\n\n\n\n\n<div  class='padding-top-5'>\t<p class='ho-sd-body-small'>Matthias Ulrich<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-video-text-links-video-rechts-option-headline'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-10 col-md-6'>\n\n<div  class='padding-bottom-4  ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">A game with expectations and conventions<\/h2>\n<\/div>\n\n\n\n\n<div  class='mobile-padding-bottom-5'>\t<p class='ho-sd-body'>One of the exhibition\u2019s central themes is an examination of the conventions of art exhibitions, the expectations regarding an institutional framework, the opening for a viewing public, and the behavior of visitors within an art space. Maria Hassabi\u2019s installation and live performance \u201cWhite Out\u201d (2023\/2025, 50 min.), which takes place on a black-mirrored museum bench, explores the relationship between the living body, the still image, and the sculptural object in space. <br><br>In Norma Jeane\u2019s new production \u201cAntibodies\u201d (2025, 60 min.), performers in protective clothing collect dust from the floor and pile it up to form a mound\u2014a dust sculpture. Dust originates with the presence of people, either being transported from the outside into the gallery via clothing or coming directly from one\u2019s skin. Typically invisible, dust is where human bodies and architectural space converge<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-8  col-xs-offset-4 col-md-5 col-md-offset-1'>\n\n<div  class='lazy-media-play-content-wrapper margin-bottom-7'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_rl9N7W\">\n<script type=\"application\/json\">{\n\"id\" : 35360,\n\"sizes\" : {\"medium\":{\"file\":\"Screenshot-2025-03-11-145258-300x156.jpg\",\"width\":300,\"height\":156,\"mime-type\":\"image\\\/jpeg\",\"filesize\":13987},\"large\":{\"file\":\"Screenshot-2025-03-11-145258-1024x531.jpg\",\"width\":1024,\"height\":531,\"mime-type\":\"image\\\/jpeg\",\"filesize\":92296},\"medium_large\":{\"file\":\"Screenshot-2025-03-11-145258-768x398.jpg\",\"width\":768,\"height\":398,\"mime-type\":\"image\\\/jpeg\",\"filesize\":59562},\"small\":{\"file\":\"Screenshot-2025-03-11-145258-440x228.jpg\",\"width\":440,\"height\":228,\"mime-type\":\"image\\\/jpeg\",\"filesize\":25285},\"semi\":{\"file\":\"Screenshot-2025-03-11-145258-580x301.jpg\",\"width\":580,\"height\":301,\"mime-type\":\"image\\\/jpeg\",\"filesize\":39017},\"mobile\":{\"file\":\"Screenshot-2025-03-11-145258-720x374.jpg\",\"width\":720,\"height\":374,\"mime-type\":\"image\\\/jpeg\",\"filesize\":54329},\"original\":{\"file\":\"Screenshot-2025-03-11-145258.jpg\",\"width\":1170,\"height\":607}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : \"https:\\\/\\\/player.vimeo.com\\\/video\\\/517088416?autoplay=1\",\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.25%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n\n\n<div  class='video-audio-time hide-while-playing'>\t<p class='video-audio-time-label'>03:44<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>The site-specific music-theater \u201cStudy of Slope\u201d (2022\/2025, 30 min.) by Lina Lapelyt\u0117 is performed by a choir. These people share a love for singing in spite of being told that they cannot sing. The work is a polyphonic meditation on the question of what is considered beautiful, what is considered valuable, and who is heard. The text is based on the novel <em>Living in a Land<\/em> by Sean Ashton.<br><br>With \u201cSonatas and Interludes\u201d (2021, 60 min.), Lenio Kaklea proposes a new reading of John Cage\u2019s masterpiece of the same name, written between 1946 and 1948. Accompanied by pianist Orlando Bass, Kaklea\u2019s performance recalls Cage\u2019s little-known collaborations with African American choreographers such as Syvilla Fort and Pearl Primus, as well as other modernist references from cinema, jazz, and musical theater. <br><br>The SCHIRN also presents four of the fifty-eight objects from Franz Erhard Walther\u2019s \u201cFirst Work Set\u201d (1963\u20131969), which are mostly made of cotton. The objects are held, stretched, or worn by one or more people; it is only through their activation that the work comes into being. This innovative notion of \u201csculpture as action\u201d makes Walther\u2019s \u201cFirst Work Set\u201d a key work in the history of contemporary art. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 34192,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-300x200.jpg\",\"width\":300,\"height\":200,\"mime-type\":\"image\\\/jpeg\",\"filesize\":22794},\"large\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1024x683.jpg\",\"width\":1024,\"height\":683,\"mime-type\":\"image\\\/jpeg\",\"filesize\":143031},\"medium_large\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-768x512.jpg\",\"width\":768,\"height\":512,\"mime-type\":\"image\\\/jpeg\",\"filesize\":92557},\"1536x1536\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1536x1024.jpg\",\"width\":1536,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":262336},\"2048x2048\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-2048x1365.jpg\",\"width\":2048,\"height\":1365,\"mime-type\":\"image\\\/jpeg\",\"filesize\":417010},\"small\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-440x293.jpg\",\"width\":440,\"height\":293,\"mime-type\":\"image\\\/jpeg\",\"filesize\":40900},\"semi\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-580x387.jpg\",\"width\":580,\"height\":387,\"mime-type\":\"image\\\/jpeg\",\"filesize\":62106},\"mobile\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-720x480.jpg\",\"width\":720,\"height\":480,\"mime-type\":\"image\\\/jpeg\",\"filesize\":83983},\"hd\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1280x853.jpg\",\"width\":1280,\"height\":853,\"mime-type\":\"image\\\/jpeg\",\"filesize\":199149},\"full\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1920x1280.jpg\",\"width\":1920,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":373601},\"xxl\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-4048x2699.jpg\",\"width\":4048,\"height\":2699,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1429930},\"original\":{\"file\":\"Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022.jpg\",\"width\":7008,\"height\":4672}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:66.666666666667%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1920x1280.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1920x1280.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-300x200.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1024x683.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-768x512.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1536x1024.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-2048x1365.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-440x293.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-580x387.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-720x480.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lina_Lapelyte_Study-of-Slope_2022-1280x853.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Lina Lapelyt\u00e9, Study of Slope, Lafayette Anticipations, 2022, Performance, 30 min.<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 the artist, photo: Marc Domage<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Spatial exclusion and delimitation mechanisms<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Questions of spatial boundaries and their overcoming, marginalization or segregation, and safety in public spaces are addressed in several works. Ana Prva\u010dki\u2019s work \u201cTent, Quartet, Bows and Elbows\u201d (2007\/2025, 15\u201320 min.) is at once a sound piece, a performance, and a sculpture. Concealed within a tent, musicians from the Fabrik Quartet play. Their instruments and body parts only become visible as they push against the tent\u2019s surface. <br><br>In the site-specific intervention \u201cHide and Seek\u201d (2023\/2025, variable duration) by <a href=\"https:\/\/www.schirn.de\/en\/schirnmag\/a-mix-of-meditation-and-leisure-context-en\/\" data-type=\"magazin-artikel\" data-id=\"7596\">Alicja Wysocka<\/a>, a group of Ukrainian women affected by geopolitical displacement interact with the exhibition space. They play hide and seek there, subverting museum conventions and reimagining the space. <br><br>Isaac Chong Wai works with performers of Asian descent in \u201cFalling Reversely\u201d (2021\/2025, 30 min.). In responding to systemic violence, the work stages a powerful form of solidarity and resistance. The performers reinterpret and reverse movements taken from video recordings of Asian people who have fallen to the ground after being assaulted in public space.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 34662,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-300x218.jpg\",\"width\":300,\"height\":218,\"mime-type\":\"image\\\/jpeg\",\"filesize\":9012},\"large\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1024x746.jpg\",\"width\":1024,\"height\":746,\"mime-type\":\"image\\\/jpeg\",\"filesize\":77583},\"medium_large\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-768x559.jpg\",\"width\":768,\"height\":559,\"mime-type\":\"image\\\/jpeg\",\"filesize\":44013},\"1536x1536\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1536x1118.jpg\",\"width\":1536,\"height\":1118,\"mime-type\":\"image\\\/jpeg\",\"filesize\":181053},\"2048x2048\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-2048x1491.jpg\",\"width\":2048,\"height\":1491,\"mime-type\":\"image\\\/jpeg\",\"filesize\":342588},\"small\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-440x320.jpg\",\"width\":440,\"height\":320,\"mime-type\":\"image\\\/jpeg\",\"filesize\":16363},\"semi\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-580x422.jpg\",\"width\":580,\"height\":422,\"mime-type\":\"image\\\/jpeg\",\"filesize\":26542},\"mobile\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-720x524.jpg\",\"width\":720,\"height\":524,\"mime-type\":\"image\\\/jpeg\",\"filesize\":39014},\"hd\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1280x932.jpg\",\"width\":1280,\"height\":932,\"mime-type\":\"image\\\/jpeg\",\"filesize\":122557},\"full\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1920x1398.jpg\",\"width\":1920,\"height\":1398,\"mime-type\":\"image\\\/jpeg\",\"filesize\":296877},\"xxl\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-4048x2948.jpg\",\"width\":4048,\"height\":2948,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1288137},\"original\":{\"file\":\"Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542.jpg\",\"width\":4429,\"height\":3225}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:72.815533980583%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1920x1398.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1920x1398.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-300x218.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1024x746.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-768x559.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1536x1118.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-2048x1491.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-440x320.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-580x422.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-720x524.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Isaac_Chong_Wai_Falling_Reversely_2022-e1744727976542-1280x932.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Isaac Chong Wai, Performance Falling Reversely\u2014Falling and Dance (Ichi), 2022, Archival print, 50 \u00d7 37.5 cm<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Isaac Chong Wai, Courtesy der K\u00fcnstler und Zilberman<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Some of the performances are narrations specifically devised for the exhibition at the SCHIRN. Adrian Ruth Williams employs conceptual narrative structures through sound and voice, text, moving image, photography, performance, and installation. In the performance \u201ctheirself herselves\u201d (2025, variable duration), her voice becomes an outlet for algorithmically determined material in a feedback loop between the human body and machine. <br><br>The SCHIRN shows a new production by Irena Haiduk. The intimate cabaret \u201cNight Cast\u201d (2025, 25 min.) creates a fragile sense of space and time, with Dean Kissick in the leading role, accompanied by Christian Schmitz.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.adrianruthwilliams.com\/media\/pages\/routines-copy1\/1ac1a797dd-1643818361\/om1-x1440-q80.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Adrian Ruth Williams, Once Removed, 2013<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/www.adrianruthwilliams.com\/\">adrianruthwilliams.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Vivid worlds of sound and music<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Another thematic focus of the festival is on music and sound spaces. In Astrit Ismaili\u2019s solo performance \u201cLYNX\u201d (2022\/2025, 20\u201330 min.), adapted for the SCHIRN, long threads connect the performing body with metal sculptures and sound bodies. By pulling the threads and using the own voice, Ismaili activates the sounds and interacts with them. The original songs, as well as sound fragments from art, popular culture and politics, touch on themes of tradition and violence, restriction and resistance, desire, fear, and resilience. <br><br>Nazanin Noori creates a hypnoacoustic perceptual experience in \u201cAmbient Hardcore\u201c (2025, 45 min.). Music from the subgenres of dark ambient, contemporary classical, drone, and chant are combined with Sufi devotional music and tracks by the producer. The performance refers to the Sufi state of \u1e25\u0101l in Islamic mysticism and the deep listening methods of Pauline Oliveros.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.sfu.ca\/content\/sfu\/sca\/projects---activities\/audain-visual-artist-in-residence\/irena-haiduk\/jcr:content\/main_content\/image.img.2000.high.png\/1662759509363.png\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Astrit Ismaili, Premiere performance of LYNX, 2022, Performance, 20-30 min.<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">%C2%A9%20the%20artist%2C%20Photo%3A%20Misha%20De%20Ridder<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-iframe-html'>\n\n<div  class='row center-xs margin-bottom-7'>\n\n<div  class='col col-xs-8 col-md-6'><div class=\"wp-block-ho-html\" v-pre><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1718978958&#038;color=%23ca4267&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/refugeworldwide\" title=\"Refuge Worldwide\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">Refuge Worldwide<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/refugeworldwide\/ambient-hardcore-nazanin-1\" title=\"AMBIENT HARDCORE - Nazanin Noori - 15 Jan 2024\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\">AMBIENT HARDCORE &#8211; Nazanin Noori &#8211; 15 Jan 2024<\/a><\/div><\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>In the site-specific installation \u201cSoft Destructions\u201c (2022\/2025, 60 min.) by Anna Witt, the professional ASMR artist Dori ASMR performs gentle, destructive actions on objects. ASMR (Autonomous Sensory Meridian Response) is a phenomenon that has become known primarily through social media; it features whispering, tapping, cracking, scratching, and other subtle sounds that trigger a pleasant tingling sensation in the listener. ASMR has also been found to help alleviate stress and anxiety for some. Visitors experience the amplified sounds through headphones, creating a uniquely intimate and immersive atmosphere.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 34655,\n\"sizes\" : 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Wagner, Berlin, VG Bild-Kunst, Bonn 2025<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-drei-bilder'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-11 mobile-margin-bottom-5 col-md-7'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 34188,\n\"sizes\" : 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-1920x1321.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-1920x1321.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-300x206.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-1024x705.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-768x528.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-1536x1057.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-2048x1409.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-440x303.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-580x399.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-720x495.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Aufnahme_F_E_Walther_Sehkanal_1969_1970-1280x881.jpg 1280w\" sizes=\"(max-width: 763px) 91.666666666667vw, (min-width: 764px) and (max-width: 1023px) 25vw, (min-width: 1024px) 25vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_mJVyHD\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Work Documentation of the 1st Work Set by F. E. Walther, 1969\/1970 (Visual Channel), Black-and-White Photography, Museum f\u00fcr Moderne Kunst, Frankfurt<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 VG Bild-Kunst, Bonn 2025, Photo: Timm Rautert<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Institutions in the mirror of their power<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Another part of the exhibition comprises ten thematically relevant video works, offering a selected overview of performances from the twenty-first century that have been documented on film. Several videos explore the authority wielded by museums and institutions in determining historiography, the reception of art, and the evaluation and recollection of events<br><br>The earliest work, which was formative for the exhibition\u2019s conception, is the guerrilla video performance \u201cLittle Frank and His Carp\u201c (2001, 6:08 min.), in which Andrea Fraser visits the Frank Gehry-designed Guggenheim Museum Bilbao in Spain. Five hidden cameras document Fraser as she strolls through the atrium, listening to the museum\u2019s official audio guide. Her exaggerated reaction to the audio guide\u2019s instructions parodies the museum\u2019s prerogative to shape how art should be viewed.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 17165,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-300x224.jpg\",\"width\":300,\"height\":224,\"mime-type\":\"image\\\/jpeg\",\"filesize\":18277},\"large\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1024x763.jpg\",\"width\":1024,\"height\":763,\"mime-type\":\"image\\\/jpeg\",\"filesize\":113631},\"medium_large\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-768x572.jpg\",\"width\":768,\"height\":572,\"mime-type\":\"image\\\/jpeg\",\"filesize\":75697},\"1536x1536\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1536x1145.jpg\",\"width\":1536,\"height\":1145,\"mime-type\":\"image\\\/jpeg\",\"filesize\":199791},\"2048x2048\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-2048x1527.jpg\",\"width\":2048,\"height\":1527,\"mime-type\":\"image\\\/jpeg\",\"filesize\":300053},\"small\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-440x328.jpg\",\"width\":440,\"height\":328,\"mime-type\":\"image\\\/jpeg\",\"filesize\":33153},\"semi\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-580x432.jpg\",\"width\":580,\"height\":432,\"mime-type\":\"image\\\/jpeg\",\"filesize\":50193},\"mobile\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-720x537.jpg\",\"width\":720,\"height\":537,\"mime-type\":\"image\\\/jpeg\",\"filesize\":69119},\"hd\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1280x954.jpg\",\"width\":1280,\"height\":954,\"mime-type\":\"image\\\/jpeg\",\"filesize\":155169},\"full\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1920x1431.jpg\",\"width\":1920,\"height\":1431,\"mime-type\":\"image\\\/jpeg\",\"filesize\":272868},\"original\":{\"file\":\"Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01.jpg\",\"width\":2667,\"height\":1988}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:74.540682414698%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1920x1431.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1920x1431.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-300x224.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1024x763.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-768x572.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1536x1145.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-2048x1527.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-440x328.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-580x432.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-720x537.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/Schirn_Presse_Body_and_Building_Andrea_Fraser_Little_Frank_and_His_Carp_2001_Still_01-1280x954.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Andrea Fraser, Little Frank and His Carp, 2001, film still<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Andrea Fraser, Courtesy the artist and Galerie Nagel Draxler, Berlin\/Cologne<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'><a href=\"https:\/\/www.schirn.de\/en\/schirnmag\/double-feature-lili-reynaud-dewar-context-en\/\" data-type=\"magazin-artikel\" data-id=\"10816\">Lili Reynaud-Dewar<\/a> similarly visits and interacts with museums and institutions. Her video works are filmed without an audience, either before the venue\u2019s opening or closing. Monochrome makeup in black, green, white, red, or silver covers her naked body, abstractly emphasizing the formal dimension of her intimate performances of dance movements and \u201cordinary\u201d activities in these public spaces. The SCHIRN is presenting her work \u201cI Want All of the Above to Be the Sun\u201c (MAC Montreal) (2023, 32:11 min.). <br><br>When Ei Arakawa-Nash became a lecturer at the renowned ArtCenter College of Design in Los Angeles, he delved deeply into the history of the art school to consider the question of how art can be taught to the next generation of artists. His reflections and exchanges with other art teachers and students informed his work \u201cHere Comes a Cohort, Through a Wind Tunnel\u201c (2023, 8:44 min.).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 34190,\n\"sizes\" : {\"medium\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-300x169.jpg\",\"width\":300,\"height\":169,\"mime-type\":\"image\\\/jpeg\",\"filesize\":13349},\"large\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1024x577.jpg\",\"width\":1024,\"height\":577,\"mime-type\":\"image\\\/jpeg\",\"filesize\":94833},\"medium_large\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-768x433.jpg\",\"width\":768,\"height\":433,\"mime-type\":\"image\\\/jpeg\",\"filesize\":60023},\"1536x1536\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1536x866.jpg\",\"width\":1536,\"height\":866,\"mime-type\":\"image\\\/jpeg\",\"filesize\":177933},\"2048x2048\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-2048x1155.jpg\",\"width\":2048,\"height\":1155,\"mime-type\":\"image\\\/jpeg\",\"filesize\":270333},\"small\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-440x248.jpg\",\"width\":440,\"height\":248,\"mime-type\":\"image\\\/jpeg\",\"filesize\":23993},\"semi\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-580x327.jpg\",\"width\":580,\"height\":327,\"mime-type\":\"image\\\/jpeg\",\"filesize\":37855},\"mobile\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-720x406.jpg\",\"width\":720,\"height\":406,\"mime-type\":\"image\\\/jpeg\",\"filesize\":54217},\"hd\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1280x722.jpg\",\"width\":1280,\"height\":722,\"mime-type\":\"image\\\/jpeg\",\"filesize\":134378},\"full\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1920x1082.jpg\",\"width\":1920,\"height\":1082,\"mime-type\":\"image\\\/jpeg\",\"filesize\":245211},\"original\":{\"file\":\"Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun.jpg\",\"width\":3143,\"height\":1772}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.379255488387%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1920x1082.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1920x1082.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-300x169.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1024x577.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-768x433.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1536x866.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-2048x1155.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-440x248.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-580x327.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-720x406.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2025\/02\/Schirn_Presse_Lili_Reynaud_Dewar_I_Want_All_of_the_Above_to_be_the_Sun-1280x722.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Lili Reynaud-Dewar, I want all of the above to be the sun (Mac Montreal), 2023, Video performance, 32 min., Film still<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 the artist<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-video-text-links-video-rechts-option-headline'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-10 col-md-6'>\n\n<div  class='padding-bottom-4  ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\n\n<div  class='mobile-padding-bottom-5'>\t<p class='ho-sd-body'>Naufus Ram\u00edrez-Figueroa examines how architecture memorializes regimes of power and their accompanying histories of exploitation. In \u201cA Brief History of Architecture in Guatemala\u201d (2013, 6:17 min.) three people wear costumes that are modeled on iconic buildings in Guatemala: a Mayan pyramid, a colonial church, and the modernist National Bank of Guatemala. They dance to the Guatemalan folk melody \u201cCinco Pesos,\u201c in the process destroying the costumes and buildings.<br><br>In his performance piece \u201cEuropean Portraits\u201c (2017, 20:11 min.), artist Jimmy Robert moves through his same-titled exhibition at PEER Gallery in London, which marked the anniversary of the Brexit referendum. Robert\u2019s body is covered by a large-format piece of fabric emblazoned with a portrait by sixteenth-century painter Bronzino. In texts on the walls, Robert portrays eight people over a period of several years. The work is accompanied by a sound piece by the artist Ain Bailey, and focuses on social and cultural diversity.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-8  col-xs-offset-4 col-md-5 col-md-offset-1'>\n\n<div  class='lazy-media-play-content-wrapper margin-bottom-7'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_rl9N7W\">\n<script type=\"application\/json\">{\n\"id\" : 35393,\n\"sizes\" : {\"medium\":{\"file\":\"Screenshot-2025-03-11-154745-300x155.jpg\",\"width\":300,\"height\":155,\"mime-type\":\"image\\\/jpeg\",\"filesize\":16650},\"large\":{\"file\":\"Screenshot-2025-03-11-154745-1024x529.jpg\",\"width\":1024,\"height\":529,\"mime-type\":\"image\\\/jpeg\",\"filesize\":103104},\"medium_large\":{\"file\":\"Screenshot-2025-03-11-154745-768x397.jpg\",\"width\":768,\"height\":397,\"mime-type\":\"image\\\/jpeg\",\"filesize\":68685},\"small\":{\"file\":\"Screenshot-2025-03-11-154745-440x228.jpg\",\"width\":440,\"height\":228,\"mime-type\":\"image\\\/jpeg\",\"filesize\":30119},\"semi\":{\"file\":\"Screenshot-2025-03-11-154745-580x300.jpg\",\"width\":580,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":46039},\"mobile\":{\"file\":\"Screenshot-2025-03-11-154745-720x372.jpg\",\"width\":720,\"height\":372,\"mime-type\":\"image\\\/jpeg\",\"filesize\":62987},\"original\":{\"file\":\"Screenshot-2025-03-11-154745.jpg\",\"width\":1261,\"height\":652}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : \"https:\\\/\\\/www.youtube.com\\\/watch?v=9KsIKHpwgaU&t=4s\",\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.25%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n\n\n<div  class='video-audio-time hide-while-playing'>\t<p class='video-audio-time-label'>20:11<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-video-text-links-video-rechts-option-headline'>\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-10 col-md-6'>\n\n<div  class='padding-bottom-4  ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Architectures of emptiness and misuse<\/h2>\n<\/div>\n\n\n\n\n<div  class='mobile-padding-bottom-5'>\t<p class='ho-sd-body'>Videos such as Meg Stuart\u2019s \u201cThe Lobby\u201c (2020, 7:25 min.) address issues of vacancy and the conversion of buildings, as well as their effect on visitors. Here five people enter into a dialogue with the expansive rooms and interiors of the iconic architecture of the Haus der Kulturen der Welt in Berlin, left hauntingly empty during the Covid-19 pandemic.<br><br>In the work \u201cdeader than dead\u201d (2020, 19:39 min.), Ligia Lewis explores the detached attitude of \u201cdeadpan.\u201d She develops a choreography for performers who, in their expressive flatness, seem almost lifeless and refuse any narrative or figurative context for their actions. Inspired by the final monologue of William Shakespeare\u2019s tragedy <em>Macbeth<\/em>, the performers chose a modular form to illustrate death, inertia, and emptiness. The performance was realized as a video for the Hammer Museum, Los Angeles, due to restrictions stemming from the coronavirus pandemic.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-8  col-xs-offset-4 col-md-5 col-md-offset-1'>\n\n<div  class='lazy-media-play-content-wrapper margin-bottom-7'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_rl9N7W\">\n<script type=\"application\/json\">{\n\"id\" : 35404,\n\"sizes\" : {\"medium\":{\"file\":\"Screenshot-2025-03-11-161905-300x169.jpg\",\"width\":300,\"height\":169,\"mime-type\":\"image\\\/jpeg\",\"filesize\":7802},\"large\":{\"file\":\"Screenshot-2025-03-11-161905-1024x576.jpg\",\"width\":1024,\"height\":576,\"mime-type\":\"image\\\/jpeg\",\"filesize\":42820},\"medium_large\":{\"file\":\"Screenshot-2025-03-11-161905-768x432.jpg\",\"width\":768,\"height\":432,\"mime-type\":\"image\\\/jpeg\",\"filesize\":28208},\"1536x1536\":{\"file\":\"Screenshot-2025-03-11-161905-1536x863.jpg\",\"width\":1536,\"height\":863,\"mime-type\":\"image\\\/jpeg\",\"filesize\":80295},\"small\":{\"file\":\"Screenshot-2025-03-11-161905-440x247.jpg\",\"width\":440,\"height\":247,\"mime-type\":\"image\\\/jpeg\",\"filesize\":12811},\"semi\":{\"file\":\"Screenshot-2025-03-11-161905-580x326.jpg\",\"width\":580,\"height\":326,\"mime-type\":\"image\\\/jpeg\",\"filesize\":18913},\"mobile\":{\"file\":\"Screenshot-2025-03-11-161905-720x405.jpg\",\"width\":720,\"height\":405,\"mime-type\":\"image\\\/jpeg\",\"filesize\":25856},\"hd\":{\"file\":\"Screenshot-2025-03-11-161905-1280x719.jpg\",\"width\":1280,\"height\":719,\"mime-type\":\"image\\\/jpeg\",\"filesize\":60430},\"original\":{\"file\":\"Screenshot-2025-03-11-161905.jpg\",\"width\":1916,\"height\":1077}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : \"https:\\\/\\\/player.vimeo.com\\\/video\\\/476010830?autoplay=1\",\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.25%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n\n\n<div  class='video-audio-time hide-while-playing'>\t<p class='video-audio-time-label'>19:39<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern show-optional-headline toggle-optional-button show-optional-button' data-pattern='ho\/text-magazin-text-links-exkurs-rechts-option-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-10 col-md-6'>\n\n<div  class='mobile-margin-bottom-5'>\t<p class='ho-sd-body'>In Laura Yuile\u2019s video work \u201cInject with Life\u201d (2018, 5:02 min.), women practice yoga and other physical activities. Their bodies are superimposed with shots of the busy aisles and escalators of shopping malls, and the empty corridors of so-called \u201cghost malls.\u201d<br><br>In\u00a0the looping video \u201cLohma\u201d\u00a0(2008, 5 min.),\u00a0<a href=\"https:\/\/www.schirn.de\/en\/exhibition\/michael-sailstorfer-2008-en\/\" data-type=\"exhibition\" data-id=\"7115\">Michael Sailstorfer<\/a>\u00a0depicts a corrugated iron hut in the middle of a landscape that slowly inflates to the point of bursting, at which point it contracts until it almost implodes. The accompanying sound follows the same dynamic pattern and echoes the blast of the hut\u2019s destruction.<br><br>With \u201cNo Space\u201d (2017, 4:40 min.) <a href=\"https:\/\/www.schirn.de\/en\/exhibition\/selma-selman\/\" data-type=\"exhibition\" data-id=\"16492\">Selma Selman<\/a> humorously portrays planetary-scale issues. The artist presents her body projected larger than life in front of the globe to claim that there is no space for anyone else. The video challenges how we define physical space and our personal belonging.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-9 col-xs-offset-3'>\n\n<div  class='mag-exkurs container-fluid padding-top-5 padding-bottom-5 cf-side-7 cf-gutter-1'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-mag-h5' style=\"white-space: normal;\">Artist Talks and Panel<\/h2>\n<\/div>\n\n\n\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body-medium'>During the performance festival, visitors can also look forward to three days of talks and discussions about an art form that has become an integral part of our contemporary culture.\u00a0Artist Talks\u00a0will be held with Isaac Chong Wai, Irena Haiduk, Lenio Kaklea, Lina Lapelyt\u0117, Ana Prva\u010dki, and Jimmy Robert as well as the panel discussion \u201cBetween Body and Space: Performance in Contemporary Art\u201d, which addresses current issues and themes in performance art.<\/p>\n<\/div>\n\n\n\n\n<div  class='ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons wp-block-ho-buttons flex-layout-align-center mobile-flex-layout-align-center'>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.schirn.de\/en\/event\/talks-and-panels\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary\">\n\t\t\t\t<span class=\"ho-button-label \">More<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/medien-video-volle-breite-option-headline'>\n\n<div  class='container-fluid margin-bottom-7 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='position-absolute z-index-1'>\n\n<div  class='ho-pattern-optional-headline'>\n\n<div  class='padding-bottom-4 container-fluid cf-side-5 color-fg-text-white hide-while-playing' style='top: 60px;bottom: auto;left: 40px;right: auto;'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='lazy-media-play-content-wrapper margin-bottom-7'><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_PNEHEQ\">\n<script type=\"application\/json\">{\n\"id\" : 35477,\n\"sizes\" : {\"medium\":{\"file\":\"Screenshot-2025-03-12-143231-300x133.jpg\",\"width\":300,\"height\":133,\"mime-type\":\"image\\\/jpeg\",\"filesize\":7492},\"large\":{\"file\":\"Screenshot-2025-03-12-143231-1024x453.jpg\",\"width\":1024,\"height\":453,\"mime-type\":\"image\\\/jpeg\",\"filesize\":42292},\"medium_large\":{\"file\":\"Screenshot-2025-03-12-143231-768x339.jpg\",\"width\":768,\"height\":339,\"mime-type\":\"image\\\/jpeg\",\"filesize\":28468},\"small\":{\"file\":\"Screenshot-2025-03-12-143231-440x194.jpg\",\"width\":440,\"height\":194,\"mime-type\":\"image\\\/jpeg\",\"filesize\":13021},\"semi\":{\"file\":\"Screenshot-2025-03-12-143231-580x256.jpg\",\"width\":580,\"height\":256,\"mime-type\":\"image\\\/jpeg\",\"filesize\":18791},\"mobile\":{\"file\":\"Screenshot-2025-03-12-143231-720x318.jpg\",\"width\":720,\"height\":318,\"mime-type\":\"image\\\/jpeg\",\"filesize\":25719},\"original\":{\"file\":\"Screenshot-2025-03-12-143231.jpg\",\"width\":1267,\"height\":560}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : \"https:\\\/\\\/www.youtube.com\\\/watch?v=o5fhnz5hxWg\",\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : {\"x\":0.5,\"y\":0.5},\n\"background\" : true,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.25%; 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