{"id":16545,"date":"2024-12-04T15:58:58","date_gmt":"2024-12-04T14:58:58","guid":{"rendered":"https:\/\/www.schirn.de\/schirnmag\/ein-neuer-blick-auf-kuenstlerinnen-laltra-meta-dellavanguardia-1910-1940\/"},"modified":"2025-03-04T12:49:32","modified_gmt":"2025-03-04T11:49:32","slug":"ein-neuer-blick-auf-kuenstlerinnen-laltra-meta-dellavanguardia-1910-1940","status":"publish","type":"magazin-artikel","link":"https:\/\/www.schirn.de\/en\/schirnmag\/ein-neuer-blick-auf-kuenstlerinnen-laltra-meta-dellavanguardia-1910-1940\/","title":{"rendered":"A new look at the artist \u2013 \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d"},"content":{"rendered":"<section class='wp-block-ho-pattern ' data-pattern='ho\/header-magazin-landscape'>\n\n<div  class='div'>\n\n<div  class='container-fluid sizes-width-fill'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 margin-bottom-4 text-align-center'  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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\t<lazy-media-inline inline-template>\n\t\t<div>\n\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :zoom=\"zoom\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :annotations=\"annotations\" :background=\"background\" v-if=\"sizes\"><\/lazy-media>\n\t\t<\/div>\n\t<\/lazy-media-inline>\n\t\t\t<\/div>\n<\/div>\n\n\n\n\n\n\t\t<figcaption class=\"\" id=\"media_Q7Q1bn\">\n\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Carol Rama: A Rebel of Modernity, exhibition view<\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz <\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/flash-animation>\n\t\t\t\t<\/div>\n\t\t\t\t\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div  class='container-fluid margin-bottom-7'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-4 col-md-offset-8 margin-bottom-5'><section class='wp-block-ho-pattern ' data-pattern='ho\/magazin-header-eigenschaften'>\n\n<div  class='magazine-header-props text-align-right'>\n\n<div  class='container-fluid cf-rem-max-width cf-side-1 cf-gutter-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'><div class=\"wp-block-ho-slot \"><p>12\/04\/2024<\/p><\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='margin-bottom-3'>\n\n<div  class='flex-align-center-right'>\n<div class=\"wp-block-ho-slot \"><p>10 min reading time<\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-ho-slot \"><div class=\"container-fluid cf-rem-max-width cf-side-1 cf-gutter-1\"><div class=\"row\"><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"components-image-text-person-image-small-group flex-align-top-right\"><div class=\"col col-xs-12\"><div class=\"components-image-text-persons-line\"><span class=\"ho-sd-body\">Writer:<\/span><a href=\"https:\/\/www.schirn.de\/en\/beteiligte\/christina-maria-ruederer-en\/\" class=\"components-image-text-person-image-small\"><div class=\"components-image-text-person-image-small-text ho-sd-body\">Christina Maria Ruederer<\/div><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"margin-bottom-3\"><div class=\"flex-align-top-right\"><a href=\"https:\/\/www.schirn.de\/en\/kuenstler\/carol-rama-en\/\" class=\"components-image-text-person-image-small\"><div class=\"components-image-text-person-image-small-text ho-sd-body\">Carol Rama<\/div><div class=\"components-image-text-person-image-small-image\"><figure 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div><div class=\"lazy-media loaded\"><img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/09\/Schirn_Presse_Carol_Rama_Presso_il_pungente_promontorio_orientale_1967-1281x1920.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/09\/Schirn_Presse_Carol_Rama_Presso_il_pungente_promontorio_orientale_1967-1281x1920.jpg 1281w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/09\/Schirn_Presse_Carol_Rama_Presso_il_pungente_promontorio_orientale_1967-200x300.jpg 200w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/09\/Schirn_Presse_Carol_Rama_Presso_il_pungente_promontorio_orientale_1967-683x1024.jpg 683w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/09\/Schirn_Presse_Carol_Rama_Presso_il_pungente_promontorio_orientale_1967-768x1151.jpg 768w, 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alt=\"Carol Rama, Presso il pungente promontorio orientale (Nahe der schroffen \u00f6stlichen Landspitze), 1967\" loading=\"lazy\" \/><\/div><\/div><\/div><\/figure><\/div><\/a><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-tertiary\"><a href=\"https:\/\/www.schirn.de\/en\/hauptkategorie\/context-en\/\" class=\"ho-tag-label\">Context<\/a><\/div><\/div><\/div><\/div><div class=\"col col-xs-12\"><div class=\"wp-block-ho-div\"><div class=\"ho-tag-group flex-align-top-right\"><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/exhibition\/\" class=\"ho-tag-label\">Exhibition<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/feminism\/\" class=\"ho-tag-label\">Feminism<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/art-history\/\" class=\"ho-tag-label\">Art History<\/a><\/div><div class=\"ho-tag is-primary\"><a href=\"https:\/\/www.schirn.de\/en\/tag\/modern-art\/\" class=\"ho-tag-label\">Modern Art<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-xs-12 last-xs col-md-8'>\t<p class='ho-sd-h4'>With \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d, in 1980 Lea Vergine curated an exhibition at the Palazzo Reale in Milan that was one of the first shows to draw attention to overlooked female artists in art history, determined as it is primarily by the West. The exhibition also highlighted the work of Carol Rama, and we can still feel its impact today.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>With her erotic watercolors, as long ago as the 1930s, Turin-based artist Carol Rama (1918\u20132015) laid the foundations for her highly diverse oeuvre that, in the following seven decades, was to undergo radical and innovative change almost every ten years. Yet it was a long and difficult path she had to tread before garnering international recognition: Not until an advanced age did Rama see appropriate public appreciation of her work \u2013 and this was despite the fact that, in intellectual and art circles, she had long been known as a reputed artist who regularly participated in exhibitions and eventually won the Golden Lion for her life\u2019s work at the 2003 Venice Biennale.<br><br>\u201cIf I\u2019m really so good, then I don\u2019t understand why I had to go hungry for so long, even if I am a woman\u201d \u2013 with these words, spoken when she was 86, Rama made it clear how angry she was and also told of something that most women artists experience in the course of their careers.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>With <a href=\"https:\/\/www.schirn.de\/en\/exhibition\/carol-rama\/\" data-type=\"exhibition\" data-id=\"14352\">Carol Rama. A rebel of modernity<\/a>, the SCHIRN is now hosting the first institutional retrospective in Germany, Austria, and Switzerland. It takes its place among many exhibitions in recent years that have granted appropriate space, late on in life or posthumously, to the countless female artists who have hitherto been ignored, among them Pati Hill, Faith Ringgold, Ana Mendieta, Marta Minuj\u00edn, Louise Bourgeois, <a href=\"https:\/\/www.schirn.de\/en\/exhibition\/lee-krasner-2019-en\/\" data-type=\"exhibition\" data-id=\"6626\">Lee Krasner<\/a>, <a href=\"https:\/\/www.schirn.de\/en\/exhibition\/paula-modersohn-becker-2021-en\/\" data-type=\"exhibition\" data-id=\"6561\">Paula Modersohn-Becker<\/a>, and many others besides. <br><br>The way female artists and their output were treated changed repeatedly over the course of the 20th century: On the one hand, their artistic work has become more visible, yet on the other, there remain some constants that continue to curb progress, and new challenges have emerged that have influenced the representation and legibility of artistic works. The term \u201crediscovery\u201d that often crops up in such a context intimates the complexity of this problem, which itself points to structures of the art world and asks who is actually discovering whom and whether the concept of discovery does not in itself already contain various power relationships. The key pillars of the art world, meaning the art business, art criticism, and the market, decide crucially on the visibility of artistic positions and since their very inception have usually been strongly influenced by patriarchal structures. <br><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 15695,\n\"sizes\" : {\"medium\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-300x225.jpg\",\"width\":300,\"height\":225,\"mime-type\":\"image\\\/jpeg\",\"filesize\":12410},\"large\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-1024x768.jpg\",\"width\":1024,\"height\":768,\"mime-type\":\"image\\\/jpeg\",\"filesize\":82913},\"medium_large\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-768x576.jpg\",\"width\":768,\"height\":576,\"mime-type\":\"image\\\/jpeg\",\"filesize\":52401},\"1536x1536\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-1536x1152.jpg\",\"width\":1536,\"height\":1152,\"mime-type\":\"image\\\/jpeg\",\"filesize\":161732},\"2048x2048\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-2048x1536.jpg\",\"width\":2048,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":262433},\"small\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-440x330.jpg\",\"width\":440,\"height\":330,\"mime-type\":\"image\\\/jpeg\",\"filesize\":21952},\"semi\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-580x435.jpg\",\"width\":580,\"height\":435,\"mime-type\":\"image\\\/jpeg\",\"filesize\":34253},\"mobile\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-720x540.jpg\",\"width\":720,\"height\":540,\"mime-type\":\"image\\\/jpeg\",\"filesize\":47446},\"hd\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-1280x960.jpg\",\"width\":1280,\"height\":960,\"mime-type\":\"image\\\/jpeg\",\"filesize\":119742},\"full\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-1920x1440.jpg\",\"width\":1920,\"height\":1440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":235587},\"xxl\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270-4048x3036.jpg\",\"width\":4048,\"height\":3036,\"mime-type\":\"image\\\/jpeg\",\"filesize\":852339},\"original\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9270.jpg\",\"width\":8858,\"height\":6644}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:75.005644615037%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,\/9j\/4AAQSkZJRgABAQEAYABgAAD\/\/gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gOTAK\/9sAQwADAgIDAgIDAwMDBAMDBAUIBQUEBAUKBwcGCAwKDAwLCgsLDQ4SEA0OEQ4LCxAWEBETFBUVFQwPFxgWFBgSFBUU\/9sAQwEDBAQFBAUJBQUJFA0LDRQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQU\/8AAEQgAEgAYAwEiAAIRAQMRAf\/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC\/\/EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29\/j5+v\/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC\/\/EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29\/j5+v\/aAAwDAQACEQMRAD8A+QPCnxX1fQUg\/trSpJ4JCAsqoVJ\/xr1i08T6Nq1vHcQloJWyzwP98fUVW8aeO9OfwRotlqctlGlo2YkijBkb645rj\/Cnh5dSmudWiuXtmnDFVkXG4dhXFVlSgrtnRThUlokd3IEg0o350+7XTnOWcJ29RRV64+I15F4FTSLrTgSkIiV1PYHrj1oqounbRozlGd9mfK2lsbnx2ElJlQSHCucgfnX0ZbALp0AAwMdqKK8rGbx9D1MLs\/U0teRf+EWR9o3bfvY560UUVitkavc\/\/9k='); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-1920x1440.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-1920x1440.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-300x225.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-1024x768.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-768x576.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-1536x1152.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-2048x1536.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-440x330.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-580x435.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-720x540.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9270-1280x960.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (min-width: 764px) and (max-width: 1023px) 50vw, (min-width: 1024px) 50vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Carol Rama: A Rebel of Modernity, exhibition view<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/bpk-archive.de\/tuellmann\/wp-content\/uploads\/2019\/08\/bpk_70242786.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Installation of the exhibition \u201cK\u00fcnstlerinnen International 1877-1977\u201d of the nGbK in the Orangery of Charlottenburg Palace<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via <a href=\"https:\/\/bpk-archive.de\/tuellmann\/produkt\/aufbau-der-ausstellung-kuenstlerinnen-international-1877-1977-der-ngbk-in-der-orangerie-des-schloss-charlottenburg\/\">bpk-archive.de<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>In the 1970s and 1980s, there were three key exhibitions in countries in the Global North which drew attention to female artists who had been overlooked, whereby they were almost exclusively <em>white<\/em>: \u201cK\u00fcnstlerinnen International 1877\u20131977,\u201d organized in 1977 by the \u201cFrauen in der Kunst\u201d group and held at Schloss Charlottenburg in Berlin; \u201cWomen Artists 1550\u20131950\u201d, which Anne Sutherland Harris and Linda Nochlin curated at the Los Angeles County Museum of Art in 1976; and the 1980 show \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d (The other half of the avant-garde), initiated by Lea Vergine and hosted by the Palazzo Reale in Milan. Carol Rama was among those who was accorded space to present her work.<br><br>These group shows were trailblazing in that they granted recognition to female artists, who were now considered central players in the art world. From this time onwards, the number of such exhibitions grew \u2013 and they gradually also set out to break with the one-sided nature of the Global North\u2019s perspective on art. Alongside extensive retrospectives on older or already deceased female artists, today they comprise a widespread program format which the exhibition discourse in Europe and the United States has for some years now upheld. <\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">\u201eL&#8217;altra met\u00e0 dell&#8217;avanguardia 1910-1940\u201c<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Lea Vergine, curator of \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d, felt that the two prior projects had both set out to cover too great a period of time and thus left too little space for in-depth art-historical research. She relied on a concept that sought to shed substantial light on the avant-garde movements in the early 20th century, emphasizing women as active players within them and offering a more complex account of their biographies and works. This specifically involved showcasing the women as self-confident and influential artists within the avant-garde movements over and above the narrative that they stood in the shadows behind male artists, that they were merely wives or muses and thus played more of a joint role rather than producing an independent body of work. This very aspect was the great strength of the exhibition, which was based on intensive and prolonged research. Across more than 20 exhibition halls, Vergine selected artworks by more than 100 female artists and brought together paintings, sculptures, photography, and design, assigning the items to the respective movements (from the Blauer Reiter and Cubism, to Futurism and the Bauhaus, through to Surrealism), thus including them in the existing art-historical canon. In addition to pieces by Carol Rama, works by Ithell Colquhoun, Frida Kahlo, Marisa Mori, and many other artists were shown, all of whom had previously been excluded from discussions about the currents in question. After opening in Milan, the exhibition moved on to Rome and then Stockholm and thus attracted international attention.<br> <br>Vergine entrusted the exhibition design to architect, product, and exhibition designer Achille Castiglioni together with female artist Grazia Varisco \u2013 at the time, the two were already lodestars in the Milan art and design scene. Together they created a site-specific textile installation that spanned a number of the halls and consisted of taut bright, semi-transparent fabric. As an artistic work in its own right, the installation on the one hand subverted the architecture, and, on the other, provided indirect lighting for the artworks as hung, deviating from the conventional use of spotlights for illumination. The countless reviews of the exhibition were full of praise for the unusual art experience created by this combination of spatial intervention and innovative curatorial concept.<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/www.cultura.trentino.it\/var\/001\/storage\/images\/media\/images\/l-altra-meta-dell-avanguardia-mart\/25604819-1-ita-IT\/l-altra-meta-dell-avanguardia-MART_imagefullwide.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Lea Vergine between the rooms of L&#8217;altra met\u00e0 dell&#8217;avanguardia 1910-1940, Palazzo Reale, Milan, 1980<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: Gianni Viviani; Image via\u00a0<a href=\"https:\/\/www.cultura.trentino.it\/Appuntamenti\/L-altra-meta-dell-avanguardia-quarant-anni-dopo\">cultura.trentino.it<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zentriert'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-md-offset-3 col-xs-10 col-xs-offset-1'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/antinomie.it\/wp-content\/uploads\/2020\/12\/installation-view-1024x679.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">View of the exhibition L&#8217;altra met\u00e0 dell&#8217;avanguardia 1910-1940, Palazzo Reale, Milan, 1980<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Photo: Maria Mulas; Image via\u00a0<a href=\"https:\/\/antinomie.it\/index.php\/2020\/12\/12\/laltra-meta-dellavanguardia-quarantanni-dopo-uneredita-giacente\/\">antinomie.it<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem Ipsum<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>This very well-known installation went on display again 20 years later in Fondazione Achille Castiglioni. In that context, Vergine was invited to give a <a href=\"https:\/\/www.youtube.com\/watch?v=iG7C3zSpfqs\">lecture<\/a>. She started it by reading out reviews she had collected of \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d. With a wry smile, she quotes an Italian woman journalist who wrote that the exhibition was pretty tough for men as it exclusively showed works by female artists. The Castiglioni\/Varisco installation likewise did not escape the male take on things: Many read it as supporting the \u201cfeminine\u201d in the art on show and believed it was a metaphor for a womb or something soft; this is a narrative that to this day is associated with women in the art discourse and beyond, whose artistic works are then reduced to some \u201cfemale\u201d attributes and thus confined to \u201cdifferent\u201d spaces.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/letterartiblog.com\/wp-content\/uploads\/2020\/11\/figura-315701.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">View of the exhibition L&#8217;altra met\u00e0 dell&#8217;avanguardia 1910-1940, Fonazione Achille Castiglioni<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via\u00a0<a href=\"https:\/\/letterartiblog.com\/2020\/11\/19\/laltra-meta-dellavanguardia-omaggio-a-lea-vergine\/\">letterartiblog.com<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline show-optional-headline' data-pattern='ho\/text-medien-bild-text-links-grosses-bild-rechts-option-headline'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12 col-md-6  mobile-margin-bottom-4'>\n\n<div  class='container-fluid cf-gutter-1 cf-side-5'>\n\n<div  class='row'>\n\n<div  class='col col-xs-12'>\n\n<div  class='mobile-margin-bottom-5'>\n\n<div  class='padding-bottom-4 ho-pattern-optional-headline'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Twixt visibility and false pigeonholing<\/h2>\n<\/div>\n\n\n\t<p class='ho-sd-body'>Alongside the artworks, biographical informational and historical context were also presented in \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d in a bid to create a deeper understanding of the challenges the female artists faced and their achievements. Moreover, in 1982 an exhaustive catalog was published in which Vergine outlined her research work and curatorial approach. In it, she also highlights the fact that a large part of the positions showcased were the work of Jewish women and queer persons as well as artists who concerned themselves with the topic of \u201cmadness\u201d. Vergine thus accorded these people a place within Western art history and yet also did not completely turn her back on the predominant attributions of her day. <br><br>Carol Rama\u2019s oeuvre was for many years also viewed in terms of an enquiry into mental disorders and non-normative representations of the human body. Rama herself fueled this narrative by openly addressing her family history and her mother\u2019s mental illness, something she also processed in her art \u2013 but only as one of many issues. To this day, it has been hard for Rama\u2019s work to avoid this pigeonholing. Her art is still all too frequently framed in terms of her \u201coutsider-ness\u201d, no doubt also because she was self-taught and had no formal training as an artist. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-md-5 col-md-offset-1 col-xs-offset-2 col-xs-10'>\n\n<div class=\"wp-block-ho-div\">\t<figure itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" role=\"group\" aria-describedby=\"media_3gzU3J\">\n\t\t<img\n\t\t\tsrc=\"https:\/\/libreriadifrusaglia.it\/wp-content\/uploads\/2022\/07\/lea_vergine_l_altra_meta_avanguardia-5.jpg\"\n\t\t\tloading=\"lazy\"\n\t\t\tclass=\"external-image-class\"\n\t\t\/>\n\t<\/figure>\n\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Exhibition catalog for L&#8217;altra met\u00e0 dell&#8217;avanguardia 1910-1940, 1980<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">Image via\u00a0<a href=\"https:\/\/libreriadifrusaglia.it\/lea-vergine-laltra-meta-dellavanguardia\/\">libreriadifrusaglia.it<\/a><\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern ' data-pattern='ho\/medien-bild-zwei-bilder-mittel-mittel'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-1'>\n\n<div  class='row'>\n\n<div  class='col col-md-5 col-xs-11 mobile-margin-bottom-5'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_3gzU3J\">\n<script type=\"application\/json\">{\n\"id\" : 15697,\n\"sizes\" : {\"medium\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-300x225.jpg\",\"width\":300,\"height\":225,\"mime-type\":\"image\\\/jpeg\",\"filesize\":10998},\"large\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-1024x768.jpg\",\"width\":1024,\"height\":768,\"mime-type\":\"image\\\/jpeg\",\"filesize\":79237},\"medium_large\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-768x576.jpg\",\"width\":768,\"height\":576,\"mime-type\":\"image\\\/jpeg\",\"filesize\":48555},\"1536x1536\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-1536x1152.jpg\",\"width\":1536,\"height\":1152,\"mime-type\":\"image\\\/jpeg\",\"filesize\":161490},\"2048x2048\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-2048x1536.jpg\",\"width\":2048,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":269125},\"small\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-440x330.jpg\",\"width\":440,\"height\":330,\"mime-type\":\"image\\\/jpeg\",\"filesize\":19749},\"semi\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-580x435.jpg\",\"width\":580,\"height\":435,\"mime-type\":\"image\\\/jpeg\",\"filesize\":30920},\"mobile\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-720x540.jpg\",\"width\":720,\"height\":540,\"mime-type\":\"image\\\/jpeg\",\"filesize\":43691},\"hd\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-1280x960.jpg\",\"width\":1280,\"height\":960,\"mime-type\":\"image\\\/jpeg\",\"filesize\":117251},\"full\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-1920x1440.jpg\",\"width\":1920,\"height\":1440,\"mime-type\":\"image\\\/jpeg\",\"filesize\":239646},\"xxl\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133-4048x3036.jpg\",\"width\":4048,\"height\":3036,\"mime-type\":\"image\\\/jpeg\",\"filesize\":918430},\"original\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9133.jpg\",\"width\":8858,\"height\":6644}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:75.005644615037%; 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background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-1920x1440.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-1920x1440.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-300x225.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-1024x768.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-768x576.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-1536x1152.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-2048x1536.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-440x330.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-580x435.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-720x540.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9133-1280x960.jpg 1280w\" sizes=\"(max-width: 763px) 100vw, (qmin-width: 764px) and (max-width: 1023px) 100vw, (min-width: 1024px) 100vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_3gzU3J\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Carol Rama: A Rebel of Modernity, exhibition view<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-11 col-xs-offset-1 col-md-5 col-md-offset-1'>\n\n<div class=\"wp-block-ho-div\"><figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" aria-describedby=\"media_mJVyHD\">\n<script type=\"application\/json\">{\n\"id\" : 15699,\n\"sizes\" : {\"medium\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-300x169.jpg\",\"width\":300,\"height\":169,\"mime-type\":\"image\\\/jpeg\",\"filesize\":8443},\"large\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-1024x576.jpg\",\"width\":1024,\"height\":576,\"mime-type\":\"image\\\/jpeg\",\"filesize\":49948},\"medium_large\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-768x432.jpg\",\"width\":768,\"height\":432,\"mime-type\":\"image\\\/jpeg\",\"filesize\":31899},\"1536x1536\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-1536x864.jpg\",\"width\":1536,\"height\":864,\"mime-type\":\"image\\\/jpeg\",\"filesize\":96290},\"2048x2048\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-2048x1152.jpg\",\"width\":2048,\"height\":1152,\"mime-type\":\"image\\\/jpeg\",\"filesize\":156248},\"small\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-440x248.jpg\",\"width\":440,\"height\":248,\"mime-type\":\"image\\\/jpeg\",\"filesize\":14145},\"semi\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-580x326.jpg\",\"width\":580,\"height\":326,\"mime-type\":\"image\\\/jpeg\",\"filesize\":21246},\"mobile\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-720x405.jpg\",\"width\":720,\"height\":405,\"mime-type\":\"image\\\/jpeg\",\"filesize\":28747},\"hd\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-1280x720.jpg\",\"width\":1280,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":71491},\"full\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-1920x1080.jpg\",\"width\":1920,\"height\":1080,\"mime-type\":\"image\\\/jpeg\",\"filesize\":139369},\"xxl\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102-4048x2277.jpg\",\"width\":4048,\"height\":2277,\"mime-type\":\"image\\\/jpeg\",\"filesize\":536127},\"original\":{\"file\":\"SCHIRN-CAROL-RAMA_DSF9102.jpg\",\"width\":8858,\"height\":4983}},\n\"alt\" : \"\",\n\"path\" : \"\\\/wp-content\\\/uploads\\\/2024\\\/12\\\/\",\n\"video\" : null,\n\"autoplay\" : null,\n\"youtube\" : null,\n\"youtubelabel\" : \"play\",\n\"brightness\" : 100,\n\"crop\" : null,\n\"background\" : false,\n\"scale\" : 1,\n\"zoom\" : false,\n\"annotations\" : null}<\/script>\n<div class=\"height-container \" style=\"padding-bottom:56.254233461278%;   \">\n\t<div class=\"height-container-contents lazy-media-contents\">\n\t\n\t<div class=\"lazy-media-preview\" style=\"background-image: url('data:image\/jpeg;base64,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'); background-position: 50% 50%; height: 100%; width: 100%;\"><\/div>\n\n\t\n<div class=\"lazy-media loaded\">\n\t<img decoding=\"async\" src=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-1920x1080.jpg\" srcset=\"https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-1920x1080.jpg 1920w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-300x169.jpg 300w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-1024x576.jpg 1024w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-768x432.jpg 768w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-1536x864.jpg 1536w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-2048x1152.jpg 2048w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-440x248.jpg 440w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-580x326.jpg 580w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-720x405.jpg 720w, https:\/\/www.schirn.de\/wp-content\/uploads\/2024\/12\/SCHIRN-CAROL-RAMA_DSF9102-1280x720.jpg 1280w\" sizes=\"(max-width: 763px) 91.666666666667vw, (min-width: 764px) and (max-width: 1023px) 41.666666666667vw, (min-width: 1024px) 41.666666666667vw\" alt=\"\" loading=\"lazy\" \/>\n<\/div>\t\t<\/div>\n<\/div>\n\n\n\n\n\n\n<\/figure>\n\n\t\t\n\n<figcaption id=\"media_mJVyHD\">\n\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t<div class=\"lazy-media-image-label\">Carol Rama: A Rebel of Modernity, exhibition view<\/div>\n\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">\u00a9 Schirn Kunsthalle Frankfurt 2024, Photo: Norbert Miguletz<\/div>\n\t\t\t<\/div>\n<\/figcaption>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n<section class='wp-block-ho-pattern toggle-optional-headline toggle-optional-button' data-pattern='ho\/text-option-headline-button'>\n\n<div  class='margin-bottom-7'>\n\n<div  class='container-fluid cf-gutter-5 cf-side-5'>\n\n<div  class='row ho-pattern-optional-headline'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div  class='padding-bottom-4'>\n<h2 class='ho-sd-h3' style=\"white-space: normal;\">Lorem ipsum<\/h2>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='row'>\n\n<div  class='col col-md-6 col-xs-12'>\n\n<div class=\"wp-block-ho-div\">\t<p class='ho-sd-body'>This is by no means an exceptional case, as art by women is, in general, too often designated as \u201cdifferent\u201d and at odds with the categories that apply to and were established by the art of <em>white <\/em>Cis artists. A retrospective classification in terms of currents and themes in art history, such as was undertaken in \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d, thus very strongly attached labels to female artists who were \u2013 in some cases for the first time \u2013 being included in an institutional exhibition in terms of their respective art-historical contextualization. That was not always to their benefit and remains a complex challenge today. Such an exhibition format almost always fails to tackle the question of the extent to which the works could be accorded a universal legibility in order to avoid embedding them solely in an already articulated patriarchally defined system. The simple idea of ensuring the works\/artists were assigned a place in the exhibition discourse does not suffice in this regard. <br><br>Nevertheless, the exhibition Vergine curated was helpful to many female artists, among them Carol Rama, in gaining greater visibility and more regular representation. It thus comes as no surprise that in 1985 Vergine also curated the first major Rama retrospective \u2013 at Museo d&#8217;Arte Contemporanea, Castello di Rivoli, for which she again collaborated with Castiglioni on the exhibition design. Her strong effort distinctly influenced the feminist exhibition discourse of the day. Extensive retrospectives, such as that on Carol Rama currently running at the SCHIRN, to a certain extent tread in her footsteps. Indeed, they enable us to discern from a contemporary perspective the truly multifaceted nature of these works and reflect on them over and above their position in history.<\/p>\n<\/div>\n<\/div>\n\n\n\n\n<div  class='col col-xs-12 ho-pattern-optional-button padding-top-4'>\n\n<div  class='wp-block-ho-buttons '>\n<div class=\"wp-block-ho-buttons-item\">\n\t<a href=\"https:\/\/www.google.de\/\"  target=\"\" role=\"button\" aria-pressed=\"false\" rel=\"nofollow\" class=\"ho-button is-primary mobile-full-width\">\n\t\t\t\t<span class=\"ho-button-label \">Lorem Ipsum<\/span>\n\t<\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>With \u201cL\u2019altra met\u00e0 dell\u2019avanguardia 1910\u20131940\u201d, in 1980 Lea Vergine curated an exhibition at the Palazzo Reale in Milan that was one of the first shows to draw attention to overlooked female artists in art history, determined as it is primarily by the West. The exhibition also highlighted the work of Carol Rama, and we can still feel its impact today.<\/p>\n","protected":false},"featured_media":28502,"template":"","meta":{"_acf_changed":false,"ho_image_focal_point":"","footnotes":""},"ho_exhibition_taxonomy":[3762],"artist":[883],"magazin_tag":[1376,1369,1371,1379],"magazin_type":[884],"involved":[191],"class_list":["post-16545","magazin-artikel","type-magazin-artikel","status-publish","has-post-thumbnail","hentry","ho_exhibition_taxonomy-carol-rama-en","artist-carol-rama-en","magazin_tag-art-history","magazin_tag-exhibition","magazin_tag-feminism","magazin_tag-modern-art","magazin_type-context-en","involved-christina-maria-ruederer-en"],"acf":{"seo_titel":"L'altra met\u00e0 dell'avanguardia 1910\u20131940 at SCHIRN","seo_description":"","keywords":"","noindex":false,"redirect":"","relevancy":false,"post_type_label":false,"autoplay":""},"_links":{"self":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/16545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel"}],"about":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/types\/magazin-artikel"}],"version-history":[{"count":6,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/16545\/revisions"}],"predecessor-version":[{"id":34976,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin-artikel\/16545\/revisions\/34976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/media\/28502"}],"wp:attachment":[{"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/media?parent=16545"}],"wp:term":[{"taxonomy":"ho_exhibition_taxonomy","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/ho_exhibition_taxonomy?post=16545"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/artist?post=16545"},{"taxonomy":"magazin_tag","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin_tag?post=16545"},{"taxonomy":"magazin_type","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/magazin_type?post=16545"},{"taxonomy":"involved","embeddable":true,"href":"https:\/\/www.schirn.de\/en\/wp-json\/wp\/v2\/involved?post=16545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}