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TOTAL ENLIGHTENMENT. MOSCOW CONCEPTUAL ART 1960–1990
21. June - 14. September 2008

The exhibition offers a comprehensive survey of conceptual art in late and post-Soviet Russia for the first time which is still only little known in the West. Moscow Conceptualism already emerged in the Soviet underground in the late 1960s, its performances, installations, and texts reflecting the existential experience of being part of a political concept. Since the world of art was subject to strict ideological censorship in the Soviet Union, the Moscow Conceptualists’ activities turned political and critical because they claimed the privilege of interpretation reserved to the Communist Party alone. Presenting artists like Erik Bulatov, Ilya Kabakov, Komar/Melamid, Alexander Kosolapov, Igor Makarevich/Jelena Jelagina, Andrej Monastyrskij, Boris Mikhailov, Dmitri Prigov, Leonid Sokov, and Vadim Zakharov, the exhibition connects with the Schirn’s show “Dream Factory Communism” dedicated to the world of Soviet art under Stalin’s regime.

Curator: Prof. Dr. Boris Groys

Video of the exhibtion The total enlightment

Film of the exhibition

Having a conversation with Martina Weinhart, curator at the Schirn and manager of this exhibition project, Groys presents the activities and artistic ideas of the Moscow Conceptualists.

PLAY FILM

Publications

TOTAL ENLIGHTENMENT. CONCEPTUAL ART IN MOSCOW 1060–1990

This publication is devoted to the Conceptual Art movement in Russia of the late and post-Soviet period.

29,90 €

Preview
TOTAL ENLIGHTENMENT. CONCEPTUAL ART IN MOSCOW 1060–1990
TOTAL ENLIGHTENMENT. CONCEPTUAL ART IN MOSCOW 1060–1990

TOTAL ENLIGHTENMENT. CONCEPTUAL ART IN MOSCOW 1060–1990

This comprehensive publication is devoted to the Conceptual Art movement in Russia, still relatively unknown in the West, of the late and post-Soviet period. Like their contemporaries in the West toward the end of the sixties, Conceptual artists in Moscow reflected on the existential experience of being part of a political concept. In a radical departure from the romantic image of the autonomous artistic genius, the viewer is included in the art; processes of production and conditions of reception are exposed.

Edited by Boris Groys, Max Hollein and Manuel Fontán del Junco. With a foreword by Max Hollein and Manuel Fontán del Junco, texts by Ekaterina Bobrinskaya, Manuel Fontán del Junco, Boris Groys, Martina Weinhart, and Dorothea Zwirner as well as artists’ texts by Ilya Kabakov and Andrei Monastyrski. German-English edition, 440 pages with 150 colored illustrations, Hatje Cantz Verlag, Ostfildern, 2008, ISBN 978-3-7757-2124-0

29,90 €

SOLD OUT

 

SPONSORED BY

WINGAS GMBH UND CO. KG


ADDITIONAL SUPPORT

HESSISCHE KULTURSTIFTUNG


CULTURAL PARTNERS

HR2-KULTUR

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